{"title":"粉青沙器｜朝鮮古美術｜入蘆花","description":"\u003cp\u003e粉青沙器を中心に、朝鮮時代の陶磁をご覧いただけます。\u003c\/p\u003e","products":[{"product_id":"antique-korean-ceramics-12","title":"BOTTLE, Buncheong Ware with underglaze iron-painted floral and plant design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eFrom the Momoyama period, the \"Goryeong Mountain\" Buncheong ware has been highly prized among tea connoisseurs on the Korean Peninsula. This type of porcelain, produced primarily during the early Joseon Dynasty in the 15th century, is crafted from iron-rich clay, adorned with a fine white slip, and finished with a transparent glaze before firing.\u003c\/p\u003e\n\n\u003cp\u003eStanding at a height of 13.5 cm and with a body width of 9.5 cm, this piece is of a convenient size, making it practical for use. The overall presence of crackling and the slight fraying at the rim have developed a harmonious patina, showcasing its exquisite age. There are no leaks.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":44832282181913,"sku":null,"price":99000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/products\/rcnir-2023-00002163.jpg?v=1752157424"},{"product_id":"antique-korean-ceramics-21","title":"DISH, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThis rare dish from the early Joseon period was crafted at the official kiln in the Kimhae Samisan region. Both sides are adorned with intricate white inlay depicting calendar motifs and chrysanthemum designs, while the center features the inscription \"Kimhae,\" and the reverse bears the characters used in the Changhung repository.\u003c\/p\u003e\n\n\u003cp\u003eThe Changhung repository was a state storage facility primarily located in the Gyeongsang Province of southern Korea, designated for the safekeeping of textiles and paper. Among the official Kimhae Samisan pieces, those inscribed with the Changhung mark are particularly scarce. It is said that in Japan, this dish was highly valued as a ceremonial item for entertaining guests.\u003c\/p\u003e\n\n\u003cp\u003eThe condition of this piece is excellent, making it a delightful addition for serving food or tea.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":44832301711641,"sku":null,"price":39000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/products\/rcnir-2023-00004726.jpg?v=1752156973"},{"product_id":"antique-korean-ceramics-36","title":"DISH, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThis is a Buncheong ware dish from the Joseon Dynasty. It features a beautiful color. There are some imperfections along the rim, so it may be suitable for restoration with silver or similar materials.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":44832358531353,"sku":null,"price":5000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/products\/rcnir-2023-00010395.jpg?v=1752155809"},{"product_id":"antique-korean-ceramics-37","title":"DISH, Inlaid Mishima, with floral design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThis is an early Joseon Dynasty Mishima inlaid dish featuring a floral design. At the center, a white inlay forms a cross, surrounded by a motif of chrysanthemum blossoms.\u003c\/p\u003e\n\n\u003cp\u003eThe condition is excellent, making it a delightful piece for serving food or enjoying tea.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":44832358596889,"sku":null,"price":47000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/products\/rcnir-2023-00010410.jpg?v=1752155806"},{"product_id":"antique-korean-ceramics-64","title":"BOTTLE, Buncheong ware with line-carved peony design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eBuncheong ware is a type of ceramics produced on the Korean Peninsula during the early Joseon Dynasty, particularly in the 15th century. Crafted from iron-rich clay, it is adorned with a fine white slip and finished with a transparent glaze before firing. This ware primarily includes vessels and bottles used in daily life. The ceramics of the Joseon period are characterized by unique designs that reflect the natural environment and culture of the time, and Buncheong ware is a notable example of this tradition. The forms of Buncheong ware typically exhibit simple shapes and decorations, exuding a delicate and refined beauty.\u003c\/p\u003e\n\u003cp\u003eIn this piece, the peony is dynamically rendered through bold line carving over a brush-applied white slip, showcasing a rare technique for Buncheong ware. A wooden box is included.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":45049349865753,"sku":null,"price":750000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/rcnir-2023-00014438.jpg?v=1752154954"},{"product_id":"antique-korean-ceramics-67","title":"CUP, Buncheong ware with underglaze iron-painted grass design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eBuncheong ware (粉青沙器, funseisaki) is a type of ceramic produced during the early Joseon Dynasty, particularly in the 15th century. Crafted from a gray or gray-black clay rich in iron, similar to that used for celadon, it is adorned with a fine white slip and finished with a transparent glaze before firing.\u003c\/p\u003e\n\n\u003cp\u003eThe majo-hai (馬上杯, bajōhai) is a vessel designed for drinking while mounted on horseback, originating from the Song (960–1279 CE) and Yuan (1271–1368 CE) dynasties in China. Among the ceramics of the Joseon Dynasty (1392–1897 CE), it holds significant historical value as a representation of equestrian culture.\u003c\/p\u003e\n\n\u003cp\u003eThis piece features a rustic grass motif rendered in iron underglaze on the side of the cup, exuding a charming presence. It is in excellent condition and is highly recommended for any collection. A wooden box is included.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":45220723523865,"sku":null,"price":310000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/rcnir-2023-00014654.jpg?v=1752154933"},{"product_id":"antique-korean-ceramics-83","title":"BOTTLE, Buncheong ware with peony design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThere are slight areas where the glaze has flaked, but overall the condition is good. The rim, body, and base are well preserved, and the decorative motifs remain clearly visible. Soil adheres around the foot, and the glaze surface displays the subdued depth and calm patina characteristic of a long-preserved ceramic.\u003c\/p\u003e\n\u003cp\u003eThis is how it appears when included in the full text.\u003c\/p\u003e\n\u003cp\u003eA buncheong inlaid bottle with a peony design from the early Joseon period, circa the 15th century.\u003c\/p\u003e\n\u003cp\u003eA well-proportioned bottle with a slender, rising neck and a gently swelling body. Despite a substantial height of 32cm, the body’s fullness is not overly heavy, and the line from the shoulder to the rim retains a refined tension.\u003c\/p\u003e\n\u003cp\u003eThe body is adorned with a large peony motif, the petals and leaves rendered by inlay. The pattern inlaid with white clay rises quietly from the bluish-gray glazed surface, and the incised lines lend depth to the flowers and leaves. The peony is an auspicious motif in Joseon ceramics; in this work its splendor is restrained within the calm, buncheong-like color palette.\u003c\/p\u003e\n\u003cp\u003eFrom the shoulder to the neck, pendant-like segmented motifs alternate with vertical-line patterns. Complementing the peony design on the body, the upper ornamentation tightens the vessel’s form and creates an overall harmonious composition. A continuous lotus-petal motif encircles the lower body, and the dialogue between the upper and lower decorative bands produces a rich, compact ornamentation throughout the vessel.\u003c\/p\u003e\n\u003cp\u003eThe surface is brushed with a white slip and covered with a gray-blue glaze. The brush marks remain pleasingly visible in horizontal bands, forming the ground for the inlaid design while imparting a quiet sense of movement to the vessel’s surface. Fine crazing runs across the entire piece, and when it catches the light the glaze reveals a deep luster. The white of the inlay, the layers of brushwork, and the gray-blue glaze overlap, evoking the resonance of Goryeo inlaid celadon while clearly signaling the transition toward early Joseon buncheong.\u003c\/p\u003e\n\u003cp\u003eThere are minor areas of glaze loss, but the overall condition is good. The rim, body, and base are well preserved, and the decorative motifs remain distinct. Soil adheres around the footring, and the glaze exhibits the mellow settling and restrained patina characteristic of long-aged ceramics.\u003c\/p\u003e\n\u003cp\u003eAmong Joseon buncheong ware, bottles featuring large inlaid peony motifs are particularly striking. This example combines a refined, well-proportioned form, richly executed decoration, and a glaze of considerable depth with visible brush marks.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":49542239420697,"sku":null,"price":450000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026062316070.jpg?v=1782217265"},{"product_id":"antique-korean-ceramics-1","title":"JAR, Buncheong ware with underglaze iron-painted scroll design, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThis piece is a jar crafted from Buncheong ware, featuring an underglaze iron-painted floral design, produced during the early Joseon Dynasty (first half of the 15th century). It represents a seminal work from a period when the unique aesthetic sensibilities of Korea began to emerge. The design, executed in a lively manner with iron pigment on a body coated with white slip, reflects the values of the time, emphasizing symbolism and rustic beauty over mere decoration.\u003c\/p\u003e\u003cbr\u003e\n\n\u003cp\u003eThe pattern, applied to the gently bulging body of the jar, embodies the era's appreciation for simplicity and authenticity, with a spontaneous rhythm evident in the brushwork. The variations in the intensity and diffusion of the iron pigment change in response to the oxidation conditions during firing, imparting a soft, warm quality that speaks to the viewer.\u003c\/p\u003e\u003cbr\u003e\n\n\u003cp\u003eThe early 15th century, when this jar was created, was a time of exploration for the Joseon Dynasty as it sought to establish a Confucian order that aligned with its founding ideals, alongside the development of a corresponding material culture. Buncheong ware evolved from the opulence of Goryeo celadon to embrace a new aesthetic that valued simplicity and rusticity. The free brushwork seen in this piece, characterized by its departure from symmetry and proportion, exemplifies a unique expression of early Joseon, where Confucian restraint intertwined with the spontaneity of folk art.\u003c\/p\u003e\u003cbr\u003e\n\n\u003cp\u003eDuring this period, Buncheong ware was often presented as tribute to the royal court and government offices, holding a certain status among the upper classes, including the yangban. Simultaneously, its rustic and approachable nature allowed it to permeate the lives of common people. Thus, Buncheong ware was culturally positioned as the \"vessel of the Korean people,\" transcending social classes in the early Joseon period.\u003c\/p\u003e\u003cbr\u003e\n\n\u003cp\u003eHowever, this era also marked a transitional phase leading to the rise of white porcelain. The yangban class, finding virtue in pure white, gradually began to favor more pristine and restrained white porcelain, leading to a shift in Buncheong ware towards everyday use among the populace. This jar, born amidst such transformations, can be seen as a relic of a time when Buncheong ware embodied both the refinement of official culture and the freedom of popular expression.\u003c\/p\u003e\u003cbr\u003e\n\n\u003cp\u003eThe overall composition of the jar reflects the distinctive sensibility of early Joseon craftsmanship. With a low lip, a slightly bulging body, and a tapering base that provides stability, the jar features a moderately high foot that harmonizes practical utility with visual balance. While some areas exhibit a slight texture, the soft, warm white typical of Buncheong ware envelops the piece, gently narrating the passage of time alongside the diffusion of the iron pigment. Although there are minor chips and repairs at the lip, these imperfections add a quiet weight to the jar as traces of its history.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":50915333341465,"sku":null,"price":110000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/202506158239.jpg?v=1752152957"},{"product_id":"antique-korean-ceramics-101","title":"SLIP-COATED BOTTLE \/ TOKKURI, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eThis is a buncheong slip-coated bottle from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eBuncheong ware is a type of ceramics from the early to mid-Joseon period, made by applying a white slip to a gray-blue clay body and then glazing over it. The slip-coated variety is one such form; by covering the entire vessel with white slip, it produces a soft white surface distinct from that of white porcelain.\u003c\/p\u003e\n\u003cp\u003eThis small slip-coated bottle has a rounded, gently swelling body and a short, upright neck. The rim flares slightly outward, and the body conveys a pleasing, plump sense of volume. At roughly 12 cm in height, it is compact yet fits comfortably in the hand, making an elegant sake bottle.\u003c\/p\u003e\n\u003cp\u003eThe glaze is covered throughout with fine crazing, and beneath the white slip hints of ashy-blue and reddish clay emerge. The rim shows iron‑colored breaks in the glaze, and the body is punctuated by small flakes and scuffs. Rather than appearing as isolated defects, these marks form the characteristic appearance of a slip‑coated vessel aged through prolonged use.\u003c\/p\u003e\n\u003cp\u003eCapacity is approximately 280cc when filled to the brim. As a sake vessel, this is a convenient volume of about one and a half gō. Although modest in size, the body is well rounded; as a palm-sized sake bottle it allows one to enjoy the slip-coated surface and gentle curvature in the hand. Even with a single flower inserted, blooms and foliage will stand out beautifully against the white surface.\u003c\/p\u003e\n\u003cp\u003eThere is glaze loss at the rim; the body shows small areas of flaking, abrasion, crazing, and iron specks. Apart from minor scratches and soiling consistent with an older vessel, the condition is generally good.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52429136560409,"sku":null,"price":135000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052413208.jpg?v=1779637108"},{"product_id":"antique-korean-ceramics-102","title":"SLIP-COATED BOTTLE \/ TOKKURI, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA buncheong slip-coated bottle from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eBuncheong ware is a type of pottery produced in the early to mid Joseon dynasty, made by applying a white slip to a gray-blue clay body and then glazing the piece. The slip-coated variety involves covering the entire vessel with white slip, yielding a soft white appearance that differs from that of true white porcelain.\u003c\/p\u003e\n\u003cp\u003eThis small slip-coated bottle has a rounded, swelling body and a short, upright neck. The rim flares slightly outward, and while the body is generously rounded, the overall proportions are compact and fit comfortably in the hand.\u003c\/p\u003e\n\u003cp\u003eThe glaze surface is covered throughout with fine crazing; from beneath the white slip pale gray‑blue seepage and iron‑toned variations emerge. The mouse‑gray hues seen from the shoulder to the body have a rain‑streaked quality, lending a quiet depth to the slip’s white.\u003c\/p\u003e\n\u003cp\u003eTraces of the clay remain around the foot, and the effects of firing and the clay’s color are visible even on the interior. The highlights of this tokkuri are its form—neat without being overly refined—and the surface texture that has developed over a long period.\u003c\/p\u003e\n\u003cp\u003eCapacity when filled to the brim is approximately 300cc. As a sake vessel it holds about one and a half go, a size well suited to practical use. Although modest in scale, the body has a satisfying sense of mass; at ROCANIIRU it is regarded as a \"palm-sized tokkuri,\" an object whose appeal is complete in the hand. Even with a single flower, the white surface and the subtle spread of glaze will gracefully receive and complement the bloom.\u003c\/p\u003e\n\u003cp\u003eThere is glaze loss at the rim; the body shows crazing, abrasion, iron spots, and grey-blue staining. Aside from minor surface scratches and soiling consistent with its age, the overall condition is good.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52429136625945,"sku":null,"price":125000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052413238.jpg?v=1779637168"},{"product_id":"antique-korean-ceramics-103","title":"SLIP-COATED BOTTLE \/ TOKKURI, Amamori, buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA buncheong slip-coated bottle featuring Amamori decoration from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eBuncheong ware is a type of ceramic produced from the early to mid-Joseon period, in which a white slip is applied over a gray-blue clay body and then covered with a glaze. Slip-coating is one variety of this practice; by applying the white slip over the entire vessel, it produces a soft, nuanced white distinct from that of true white porcelain.\u003c\/p\u003e\n\u003cp\u003eVessels whose white slip-coated surfaces display networks of crazing and discoloration that resemble rainwater seeping in are known as amamori. This example likewise shows fine crazing across the whole surface, with pale gray and brown stains layered over the white slip.\u003c\/p\u003e\n\u003cp\u003eThe body is plump and smoothly rounded, tapering naturally from the shoulder to the neck, with the rim opening slightly outward. Though modest in size, it has a composed, stable presence; when lifted, the tokkuri settles quietly into the palm.\u003c\/p\u003e\n\u003cp\u003eThe soft white of the slip, combined with the tones of age that have settled into the crazing, produces a deep expression characteristic of amamori. It is not a bold surface, but a quietly restrained slip-coated ware whose appeal grows the more closely one studies it.\u003c\/p\u003e\n\u003cp\u003eCapacity is approximately 250cc when filled to the brim. Its dimensions make it easy to handle as a sake vessel, and its form is also suited to a single flower. ROCANIIRU regards it as a \"tokkuri in the palm,\" appreciating the charm of a small vessel that is complete in the hand.\u003c\/p\u003e\n\u003cp\u003eThere are minor abrasions to the rim, soil deposits around the foot, areas of glaze loss, and age-related crazing and staining. In addition, small surface scratches and iron spots characteristic of an older vessel are present; overall the condition is good.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52429136691481,"sku":null,"price":145000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052413264.jpg?v=1779637217"},{"product_id":"antique-korean-ceramics-110","title":"WHITE-INLAID BOTTLE \/ TOKKURI, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA small white-inlaid buncheong bottle dating to the early Joseon period. It may be used as a tokkuri.\u003c\/p\u003e\n\u003cp\u003eSmall enough to fit in the palm, this piece nonetheless displays the low, rounded swelling of the body characteristic of early Joseon vessels, making it exceptionally comfortable to hold. The rim opens slightly outward, and the lines flowing naturally from neck to shoulder and from shoulder to body possess the gentle softness typical of early buncheong.\u003c\/p\u003e\n\u003cp\u003eThe body is entirely covered with fine white inlay. White inlay is a technique in which designs are incised into the clay body, filled with white clay, and then fired. While inheriting the inlay technique of Goryeo celadon, early Joseon buncheong wares developed a more rustic and free expression. In this example, small dot motifs are struck across the body, enveloping it and appearing softly beneath the glaze.\u003c\/p\u003e\n\u003cp\u003eIn Japan, this type of white-inlaid Buncheong ware is known as Mishima and has long been cherished by tea connoisseurs. The scene of fine dotted and linear motifs was likened to the calendar of Mishima Taisha in Izu, and it is said that this association gave the style its name. This piece likewise shows white-inlaid dot motifs quietly spreading across the small vessel surface, possessing a density suited to contemplation in the palm.\u003c\/p\u003e\n\u003cp\u003eThe bluish glaze displays fine crazing that, together with the white-inlaid dotted pattern, creates a gentle sense of depth. The decoration is delicate, yet the overall form is light and carries a quietly approachable presence. The unpretentious beauty characteristic of buncheong ware is clearly evident.\u003c\/p\u003e\n\u003cp\u003eThe capacity is approximately 70cc. Its compact, palm-sized proportions make it suitable as a small sake bottle; while intended as a drinking vessel, it can also serve on the tea tray as a petite flower vase. Wear consistent with age is visible on the rim and around the foot, together with glaze irregularities and areas where the clay is exposed, all within an acceptable range for an antique ceramic.\u003c\/p\u003e\n\u003cp\u003eAlthough modest in scale, this bottle is pleasing to the hand: its slightly bulbous lower body and well-executed white-inlaid decoration together convey the charm of early Joseon buncheong ware.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456702869785,"sku":null,"price":190000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114168.jpg?v=1780306279"},{"product_id":"antique-korean-ceramics-116","title":"FLATTENED JAR, Buncheong ware with sgraffito basho leaf pattern, With wooden box, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA flattened jar in Buncheong ware with sgraffito basho-leaf decoration, Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eA Joseon Buncheong flattened jar with a rounded body compressed front to back. After a white slip was brushed on, the design areas were scraped away to reveal a large foliate motif suggestive of plantain leaves. The brush marks in the slip and the sgraffito lines overlap, allowing the expansive leaf pattern that fills the body to stand out with striking clarity.\u003c\/p\u003e\n\u003cp\u003eThe decoration is incised in overlapping fine lines, where vein‑like straights meet softly undulating contours. Broad motifs produced by sgraffito combine with the delicate incised lines characteristic of the carved Mishima technique, while the powdery gray‑blue glaze, white clay, and fine crackle cohere into a restrained yet powerful visual effect.\u003c\/p\u003e\n\u003cp\u003eThe body is rounded; viewed from the front it presents a plump, flattened jar profile, while an oblique view reveals a pronounced sense of depth and volume. The decoration reads differently on each surface, and the piece offers many points of interest, including the flow of the glaze, crazing, and iron spots.\u003c\/p\u003e\n\u003cp\u003eThere are old scuffs and soiling on the rim and around the foot. The glazed surface exhibits crazing, stains, iron deposits, and fine scratches. The foot bears adhering sand, and overall the piece displays a mellow, time-worn powder-blue patina.\u003c\/p\u003e\n\u003cp\u003eThis flattened jar is equally suited to holding flowers or to being displayed on its own. Placed on a tea shelf or in an alcove arrangement, the powdery pale-blue of the buncheong slip and the lines of the sgraffito decoration quietly shape the space. A wooden storage box is included.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52670569283865,"sku":null,"price":195000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026062115754.jpg?v=1782051396"},{"product_id":"antique-korean-ceramics-119","title":"BOTTLE, Buncheong ware with sgraffito lotus flower pattern, With wooden box, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA buncheong bottle with a sgraffito lotus motif from the early Joseon period.\u003c\/p\u003e\n\u003cp\u003eAmong 15th-century buncheong ware, this example displays a notably strong white-porcelain quality. In Korean scholarship, pieces with this character are sometimes referred to as \"백자성 분청사기\", that is, white-porcelain–type buncheong ware. Though buncheong in origin, it has a clear surface approaching white porcelain and a taut, restrained stillness that contrasts with the earthy presence typically found in ordinary buncheong.\u003c\/p\u003e\n\u003cp\u003eThe vessel takes the form of a bottle, rising from a gently swelling body to a long, slender neck. In contrast to the body's mass, the neck is crisply tapered and the rim flares slightly outward, giving the whole an orderly, elegant profile. The glaze is a pale whitish tone with a bluish cast and is covered overall with fine craquelure that, when it catches the light, imparts a cool beauty reminiscent of celadon.\u003c\/p\u003e\n\u003cp\u003eThe body is broadly encircled by a large lotus motif. The pattern’s outlines have been scraped away so that the petals remain white against a bluish-green ground, the contrast quietly bringing the lotus form into relief. The lines are expansive and the overlapping petals show no stiffness—the boldness characteristic of early Joseon buncheong coexists with the clear, porcelain-like purity of the white surface.\u003c\/p\u003e\n\u003cp\u003eCompartmental motifs run from the shoulder to the neck, surmounted by a band of flame-like designs. In dialogue with the lotus pattern on the body, the composition is carefully resolved down to the smallest details, imparting a subtle, measured tension to the vessel as a whole.\u003c\/p\u003e\n\u003cp\u003eThe decoration is boldly deployed, yet the palette is restrained, and rather than showiness a calm, dignified presence comes forward. The free, spontaneous ornamentation of buncheong and a neat, porcelain-like surface tending toward white ware coexist within a single vessel, well illustrating the appeal of early Joseon ceramics.\u003c\/p\u003e\n\u003cp\u003eThere is glaze loss along the rim. Around the footring there are soil deposits and areas of glaze flaking, and the base retains an aged patina developed over time. The body’s form, the glaze tone, and the sgraffito decoration are well preserved, and among buncheong wares this piece displays a particularly pure character. Accompanied by a wooden box.\u003c\/p\u003e\n\u003cp\u003eMoreover, the catalogue of the Osaka City Museum of Oriental Ceramics, which houses the Ataka Collection—Treasures of the Ataka Collection—reproduces, as no. 156, a buncheong bottle with a sgraffito lotus motif almost identical in hand to the present piece. The composition— a large lotus encircling the body with panelled designs and flame-like motifs on the shoulder and neck— and even the bluish, porcelain-like surface are closely comparable, so the present work may be regarded as an example of the same group. Although illustrated differently, a buncheong bottle with a lotus-and-fish design in a similar form is held by the National Museum of Korea, indicating that this type of bottle occupies an important position among 15th-century buncheong wares. The present piece is museum-quality, combining notable aesthetic appeal with significant documentary value.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52729994641689,"sku":null,"price":1200000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026062316015.jpg?v=1782219967"},{"product_id":"antique-korean-ceramics-120","title":"SLIP-COATED GLOBULAR JAR, Buncheong ware, Joseon Dynasty（1392–1897CE）","description":"\u003cp\u003eA slip-coated globular jar dating to the early Joseon period.\u003c\/p\u003e\n\u003cp\u003eThis small jar has a slightly constricted mouth and a low, rounded body. At 10.5cm in height it is comfortable to hold, yet the body conveys a solid sense of mass and its low foot ensures stability. It combines a palm-sized intimacy with the broad, unforced modeling characteristic of the early Joseon period.\u003c\/p\u003e\n\u003cp\u003eThis globular jar reveals completely different vistas depending on the angle from which it is viewed. On the creamy white side a soft, gentle glazed surface reminiscent of early white porcelain appears, while on the opposite side a gray-tinged, slightly coarse texture spreads across the body. The bright, serene white surface and the gray-toned face, where the glaze has settled and the earthy character is strongly expressed, confront one another within a single vessel, producing a depth of expression despite its modest size.\u003c\/p\u003e\n\u003cp\u003eIron-rich speckles appear here and there and firing-related color variations enliven the plain surface, preventing a monotonous appearance. The wheel marks are softly preserved, and together with the rounded swelling of the body they impart a rustic, deeply resonant quality.\u003c\/p\u003e\n\u003cp\u003eThe rim bears a repaired area and the glaze shows fine crazing, yet the overall form remains well preserved. With its scratches and changes, the jar’s appeal is shaped by two complementary aspects: the serene, white-porcelain surfaces and the warm, aged areas.\u003c\/p\u003e\n\u003cp\u003eThis tranquil, rounded jar occupies a space between early Joseon white porcelain and slip-coated ware. It sits neatly on a shelf and harmonizes effortlessly with tea settings and other small interiors.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52729995428121,"sku":null,"price":91000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026062316171.jpg?v=1782220381"}],"url":"https:\/\/rcnir.com\/en-je\/collections\/joseon-buncheong.oembed","provider":"入蘆花（ロカニイル）","version":"1.0","type":"link"}