{"title":"New Arrivals: Antiques \u0026 Works of Art","description":"\u003cp\u003eNewly added antiques and old objects at ROCANIIRU.\u003c\/p\u003e","products":[{"product_id":"antique-other-stone-products-19","title":"STONE-CARVED BRAZIER, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eThis large brazier, carved from soapstone during the Joseon Dynasty, features an endearing design with three legs and handles. The corners, softened by use, exhibit a gentle roundness that invites a sense of warmth and hospitality, perfectly suited for the tea ceremony.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":49017028411673,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/20250821-11518ad.jpg?v=1757012635"},{"product_id":"antique-korean-ceramics-83","title":"BOTTLE, Buncheong ware with peony design, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eThere are slight areas where the glaze has flaked, but overall the condition is good. The rim, body, and base are well preserved, and the decorative motifs remain clearly visible. Soil adheres around the foot, and the glaze surface displays the subdued depth and calm patina characteristic of a long-preserved ceramic.\u003c\/p\u003e\n\u003cp\u003eThis is how it appears when included in the full text.\u003c\/p\u003e\n\u003cp\u003eA buncheong inlaid bottle with a peony design from the early Joseon period, circa the 15th century.\u003c\/p\u003e\n\u003cp\u003eA well-proportioned bottle with a slender, rising neck and a gently swelling body. Despite a substantial height of 32cm, the body’s fullness is not overly heavy, and the line from the shoulder to the rim retains a refined tension.\u003c\/p\u003e\n\u003cp\u003eThe body is adorned with a large peony motif, the petals and leaves rendered by inlay. The pattern inlaid with white clay rises quietly from the bluish-gray glazed surface, and the incised lines lend depth to the flowers and leaves. The peony is an auspicious motif in Joseon ceramics; in this work its splendor is restrained within the calm, buncheong-like color palette.\u003c\/p\u003e\n\u003cp\u003eFrom the shoulder to the neck, pendant-like segmented motifs alternate with vertical-line patterns. Complementing the peony design on the body, the upper ornamentation tightens the vessel’s form and creates an overall harmonious composition. A continuous lotus-petal motif encircles the lower body, and the dialogue between the upper and lower decorative bands produces a rich, compact ornamentation throughout the vessel.\u003c\/p\u003e\n\u003cp\u003eThe surface is brushed with a white slip and covered with a gray-blue glaze. The brush marks remain pleasingly visible in horizontal bands, forming the ground for the inlaid design while imparting a quiet sense of movement to the vessel’s surface. Fine crazing runs across the entire piece, and when it catches the light the glaze reveals a deep luster. The white of the inlay, the layers of brushwork, and the gray-blue glaze overlap, evoking the resonance of Goryeo inlaid celadon while clearly signaling the transition toward early Joseon buncheong.\u003c\/p\u003e\n\u003cp\u003eThere are minor areas of glaze loss, but the overall condition is good. The rim, body, and base are well preserved, and the decorative motifs remain distinct. Soil adheres around the footring, and the glaze exhibits the mellow settling and restrained patina characteristic of long-aged ceramics.\u003c\/p\u003e\n\u003cp\u003eAmong Joseon buncheong ware, bottles featuring large inlaid peony motifs are particularly striking. This example combines a refined, well-proportioned form, richly executed decoration, and a glaze of considerable depth with visible brush marks.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":49542239420697,"sku":null,"price":450000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026062316070.jpg?v=1782217265"},{"product_id":"antique-korean-ceramics-104","title":"CHOCHIN-TSUBO, White porcelain, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA white porcelain chochin tsubo from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eWith a large, swollen body and a short, upright rim, this vessel form is known as a chochin-tsubo (lantern jar). Compared with a round jar, its shoulders are more subdued; it maintains a sense of mass in the lower body while narrowing gently at the mouth. While bearing the neat restraint characteristic of Joseon white porcelain, the jar also conveys an approachable simplicity reminiscent of everyday vessels.\u003c\/p\u003e\n\u003cp\u003eThe glaze is a pale, slightly bluish white, and the surface shows fine crazing with occasional iron specks and small kiln spots. Though an unadorned white porcelain, soft shadows appear with changes in light, lending the vessel’s surface a sense of depth. Around the foot the clay texture and kiln traces remain clearly visible, conveying the quiet patina of aged Joseon white porcelain. Near the midsection of the body there is a seam where the upper and lower parts were joined during forming; it has been well smoothed but is discernible under certain lighting.\u003c\/p\u003e\n\u003cp\u003eWith a height of 34cm, it has a commanding presence. The shadows that descend from the foot to the swelling of the body convey a profound stillness. Leave it unfilled and simply set it in place, and enjoy the shadows cast across the white porcelain’s quiet expanse and the changing light of the day.\u003c\/p\u003e\n\u003cp\u003eThe rim and foot show age-appropriate rubbing and minor scratches, along with glaze crazing and kiln marks. There are no major chips or noticeable restorations, and the piece remains in good condition as a Joseon white porcelain jar.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52433593631001,"sku":null,"price":600000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052613347.jpg?v=1779770039"},{"product_id":"antique-other-paper-products-2","title":"WOVEN PAPER LACQUERED TRAY, With wooden box, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA woven paper-lacquered tray from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eA tray woven from finely twisted paper yarn and finished with lacquer. Unlike wood or ceramics, it has a light, pliant material quality, and its ability to retain form after many years reveals the practical resilience characteristic of Joseon craftsmanship.\u003c\/p\u003e\n\u003cp\u003eA fine, granular relief runs across the whole surface, revealing a meticulous woven texture inside and out. The red lacquer remains vivid in places but has taken on a grayish cast with age, casting shadows along the undulations of the twisted paper cords. The intermingling of red, earthy brown, and gray conveys a quiet depth rather than conspicuous brilliance.\u003c\/p\u003e\n\u003cp\u003eThe shallow, circular form is effective not only as a tray but also as a display stand for tea utensils and antique ceramics. Because the surface that supports vessels has a delicate texture, even restrained pieces such as white porcelain, white slip–glazed ware, or antique glass harmonize well with one another.\u003c\/p\u003e\n\u003cp\u003eA wooden box is included; the box is labeled \"red lacquerware.\" This suggests the piece has long been cherished and preserved as lacquerware.\u003c\/p\u003e\n\u003cp\u003eThere is wear consistent with age, loss of lacquer, soiling, and minor damage to the twisted-paper elements, but no major structural breakage, and the piece remains in good condition for an older twisted-paper lacquerwork.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52433597366553,"sku":null,"price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052613383.jpg?v=1779771275"},{"product_id":"antique-korean-ceramics-105","title":"BUTTERFLY-SHAPED WATER DROPPER, Lapis-glazed, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA butterfly-shaped water dropper from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eA small butterfly-shaped water dropper, modeled three-dimensionally with wings outspread and a bulging central body. Holes at either end allow water to be poured; while serving the practical purpose of a writing implement, it retains the charm of a miniature sculpture.\u003c\/p\u003e\n\u003cp\u003eA milky glaze is suffused with lapis-blue that bleeds across the surface, and the wings are decorated with incised linear motifs. The blue’s tone is delicately diffused, while patches of iron-brown kiln change appear here and there, producing a patina typical of antique ceramics. The butterfly’s uncontrived expression, the flowing glaze, and the emergence of the clay’s texture all suggest the broad, unaffected handwork characteristic of the Joseon dynasty.\u003c\/p\u003e\n\u003cp\u003eThough modest in scale, it possesses a quiet presence—equally suited to rest at a desk as a writing accessory and to present as a small antique on a tea table or shelf. When paired with white porcelain, natural wood, or lacquerware, a subtle wash of blue and iron-gray emerges.\u003c\/p\u003e\n\u003cp\u003eThe base shows kiln sand adhering from firing; the sides and rim display age-appropriate glaze loss, wear, and minor scratches. As an older water dropper, it has no major damage that significantly alters its form and retains a pleasing, well-aged condition.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52433602085145,"sku":null,"price":38000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052613416.jpg?v=1779771644"},{"product_id":"antique-japanese-art-16","title":"KIRISHITAN BUDDHIST STATUE WITH ENGRAVED CROSS, with wooden box, Azuchi-Momoyama–Edo Period (1573–1867 CE)","description":"\u003cp\u003eA small Buddhist statue dating from around the Azuchi–Momoyama to the Edo period, bearing a cross motif incised on its back.\u003c\/p\u003e\n\u003cp\u003eA small figure stands on a lotus-petal base, its appearance evoking a monk or a Jizō bodhisattva. Viewed from the front, it bears a calm expression with the hands quietly joined in prayer, and the robe’s folds are rendered with simple, economical lines. On the reverse, however, incised lines beneath the drapery suggest a cross, so that within this Buddhist guise a symbol of another faith seems to be subtly superimposed.\u003c\/p\u003e\n\u003cp\u003eFrom the Azuchi–Momoyama through the Edo period, Christianity spread throughout Japan and, amid policies banning the religion, was preserved in secret. This object, taking the form of a Buddhist statue while bearing a cross engraved on its reverse, evokes forms associated with the Kirishitan faith. While definitive assertions should be avoided, one senses how belief was concealed and transmitted in altered forms over time.\u003c\/p\u003e\n\u003cp\u003eThe surface bears a darkened, aged patina, with period wear, small scratches, and surface abrasion. Although modest in size, the figure presents a striking contrast between the serene front and the cross engraved on the reverse, offering a different impression from each viewing angle.\u003c\/p\u003e\n\u003cp\u003eAn old wooden box is included, indicating that the piece has been carefully preserved and handed down for a long time. As a small ornament on a shelf, in a tokonoma alcove, or in a tea-room setting, it adds a quiet presence.\u003c\/p\u003e\n\u003cp\u003eThere is flaking and chipping around the base, and the figure itself shows wear consistent with its age, minor scratches, and soiling. Along with its aged surface, it retains a quiet presence befitting an object of devotion.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52433608933657,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052613453.jpg?v=1779772159"},{"product_id":"antique-japanese-ceramics-288","title":"OCTAGONAL DISH, Kotō ware, with underglaze blue floral scroll design, Edo Period (1603–1867 CE)","description":"\u003cp\u003eOctagonal footed dish of Koto ware, decorated in underglaze blue with a floral arabesque design, Edo period.\u003c\/p\u003e\n\u003cp\u003eAn elegant shallow dish with chamfered octagonal sides and four corner feet. In the well a graceful floral-scroll design is rendered in underglaze blue; leaves and tendrils spread gently outward to encircle a large central blossom. Though areas of reserved ground remain, the brushwork is finely expressive, and the tonal variations of the underglaze impart a sense of depth to the surface.\u003c\/p\u003e\n\u003cp\u003eAround the rim, motifs are set in small framed panels, alternating fish, floral, and geometric designs. The inner floral arabesque and the compartmentalized patterning of the outer edge echo one another, so that the well-ordered composition nonetheless conveys a hint of exotic splendor.\u003c\/p\u003e\n\u003cp\u003eKotō ware is a type of Ōmi porcelain produced under the Hikone domain during the late Edo period. While influenced by Imari and Chinese underglaze-blue wares, it is distinguished by a pure white body and a clear, limpid underglaze blue. This example likewise presents a strongly white porcelain body, against which finely rendered cobalt-blue motifs with pronounced gradations stand out, conveying the restrained dignity characteristic of Kotō ware.\u003c\/p\u003e\n\u003cp\u003eThe underside is also painted in underglaze blue with floral and geometric motifs, and the footed form is finished with graceful refinement. It may be displayed on a shelf or in an alcove, and can also be enjoyed as a dish for confections or as part of a coordinated set of tableware.\u003c\/p\u003e\n\u003cp\u003eThe surface shows expected signs of age: light wear, small scratches, iron specks, and variations in the glaze. There is minor wear to the rim and foot, but overall the piece retains the composed, refined appearance characteristic of underglaze-blue Kotō ware dishes.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52433613488409,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052613488.jpg?v=1779772737"},{"product_id":"antique-chinese-ceramics-150","title":"CERAMIC GRANARY, Iridescent green-glazed, unlidded","description":"\u003cp\u003eA green‑glazed ceramic granary dating to the Ming dynasty.\u003c\/p\u003e\n\u003cp\u003eA ceramic granary is a type of ancient Chinese pottery modeled on the storehouses used to hold grain. Small-scale ceramic renditions of buildings and objects often reflect contemporary life and hopes for abundant harvests; this example similarly displays a simple, powerful sculptural presence.\u003c\/p\u003e\n\u003cp\u003eThe cylindrical body expands into a generous shoulder, the rim rising upright to form a jar-like silhouette. Though the lid is missing, the sense of mass in the body and the refined modeling of the mouth are well preserved, giving the piece a quiet presence on its own. While conceived as a representation of a granary, its manner is closer to that of an old jar or a flower vase rather than a building, a quality that contributes to its charm.\u003c\/p\u003e\n\u003cp\u003eThe surface is coated with a green glaze that, over time, has whitened and taken on a silvery sheen. Layers of deep green, a powdery whitening, and patches of exposed clay overlap to create the complex appearance characteristic of antique ceramics. Particularly striking is the silvery tonality across the body; when illuminated it assumes a softly veiled texture.\u003c\/p\u003e\n\u003cp\u003eWhile retaining the vividness of the green glaze, the whole is enveloped by a pale, dry film, giving the vessel an exceptionally serene presence. On the spare, bottle-shaped form, the glaze's variations become a landscape, as though reflecting the passage of time.\u003c\/p\u003e\n\u003cp\u003eThe lid is missing. As an antique ceramic, it shows abrasions, glaze loss, silvering, and soil staining, but the vessel's condition is generally good.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52440626888985,"sku":null,"price":65000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052713553.jpg?v=1779868208"},{"product_id":"antique-chinese-ceramics-151","title":"SMALL JAR, Ko-Sometsuke, with fish design, With wooden box","description":"\u003cp\u003eA small Ko-sometsuke jar made in the Ming dynasty.\u003c\/p\u003e\n\u003cp\u003eA fish motif is painted in underglaze blue on the small, plump, rounded body. The brushwork is broad and free, and the fish forms are somewhat abstract. Characteristic of Ming-period underglaze blue, it displays vigorous lines and an effective use of negative space; though modest in size, it is a piece of considerable charm.\u003c\/p\u003e\n\u003cp\u003eA grass-like motif encircles the shoulder, while the body is adorned with fish and compartmental motifs. Blue has bled into the white porcelain body, and the glaze shows fine crazing and age-related stains. Layers of varying blue tones, the glaze’s yellowing, and spots of iron rust appearing here and there combine to produce the soft expression characteristic of antique pottery.\u003c\/p\u003e\n\u003cp\u003eA small jar that fits in the palm of the hand, yet its full-bodied form gives it a quiet presence when placed in a tea room or on a small shelf. It can serve as a tiny vase for wildflowers, or be appreciated as a small lidded container.\u003c\/p\u003e\n\u003cp\u003eA small chip to the rim; scuffs, glaze loss, iron staining, and discoloration are evident on the body and around the foot. The piece retains the character of age and is accompanied by a wooden box.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52440626921753,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052713596.jpg?v=1779868856"},{"product_id":"antique-chinese-ceramics-152","title":"OCTAGONAL CUP, Dehua Ware, white porcelain with relief-carved strange figure design","description":"\u003cp\u003eAn octagonal white porcelain cup from the Dehua kilns, dating from the Qing dynasty through the Republic of China period.\u003c\/p\u003e\n\u003cp\u003eThis small octagonal cup, its facets bevelled, is encircled on the exterior by a relief-carved figural design. The motif depicts a curious, tail-bearing being resembling a child, whose quietly charming, enigmatic presence enlivens the serene white of Dehua porcelain.\u003c\/p\u003e\n\u003cp\u003eThe Dehua kilns, centered in Dehua in Fujian Province, are renowned for their white porcelain and, from the Ming dynasty onward, gained particular distinction for their white wares. This example likewise displays a white, softly toned glaze, a thin, delicately translucent body, and restrained relief carving—the combination of which is especially noteworthy.\u003c\/p\u003e\n\u003cp\u003eThe National Museum of Taiwan History houses a Dehua kiln white-porcelain octagonal cup of the same type as this piece, presented as an example dating from the late Qing to the early Republican period. Though small, comparable examples have been identified, and it may be appreciated as a sencha cup or a sake cup, as well as a compact work in white porcelain.\u003c\/p\u003e\n\u003cp\u003eA fitted box lined with washi paper is included. There are firing-related kiln marks, hairline cracks at the rim, abrasion to the interior and around the footring, and iron spots; overall the piece is in a generally stable condition. Please enjoy it with an understanding of its condition consistent with its age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52440626954521,"sku":null,"price":32000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052713629.jpg?v=1779869339"},{"product_id":"antique-southeast-ceramics-29","title":"INCENSE CONTAINER, Red Annam, with floral and plant design, With wooden box","description":"\u003cp\u003eAn incense container adorned with floral and plant motifs, produced in medieval Annam.\u003c\/p\u003e\n\u003cp\u003eThe plump, rounded form is painted with floral and plant motifs in red overglaze and green pigment. On the lid’s exterior a spiral-like floral design radiates outward, while the body is divided into panels containing plant motifs and a lattice pattern. The brushwork is broad and assured; the slight bleeding of the motifs and the soft quality of the glaze convey the simple, rustic charm characteristic of Annamese ceramics.\u003c\/p\u003e\n\u003cp\u003eRed Annam is a type of ceramics fired chiefly in northern Vietnam, distinguished by warm decoration centered on overglaze red painting. In this example, pale red and green tones are gently set against a white, slightly gray-tinged body. The glaze has mellowed with age, presenting a dry, quiet surface rather than a lustrous sheen.\u003c\/p\u003e\n\u003cp\u003eThe lid and base fit snugly, offering a form well suited to use as an incense container. While it bears exuberant motifs, its overall demeanor is composed; in the tea setting it imparts a gentle, unassuming atmosphere typical of southern ceramics, distinct from both Chinese and Japanese wares. A small antique vessel to be enjoyed in the palm of the hand.\u003c\/p\u003e\n\u003cp\u003eA wooden box is included. As an older piece it shows wear—abrasion, glaze irregularities, staining, kiln firing marks, small chips, and the like—but overall it remains in a generally sound condition. Please enjoy it with an understanding of its condition.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52440627020057,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052713666.jpg?v=1779869995"},{"product_id":"antique-other-wood-products-232","title":"RECTANGULAR KARAKI BURL WOOD TEA TRAY","description":"\u003cp\u003eA rectangular karaki burl-wood tray made during the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eA low, thin rectangular tray with a raised rim and neatly mitered corners, showing a restrained, well-proportioned construction. The material is burl, and the tray surface reveals complex figure with small speckles and swirling patterns. A deep, warm reddish sheen and the mellowed patina developed through long use combine to give it the quiet presence characteristic of karaki trays.\u003c\/p\u003e\n\u003cp\u003eIt is believed to have been originally made as an incense tray for holding censers and incense utensils. In Chinese scholar’s studies and incense rooms, censers, incense boxes, fire implements, and the like were gathered on small trays and arranged on the desk. This example, with its compact rectangular form and low, tightly proportioned construction, likewise possesses an air well suited to such a quiet setting.\u003c\/p\u003e\n\u003cp\u003eAt the same time, it is often used as a sencha tray. Its size is well suited to hold a small teapot, cups, and tea saucers, and the deep tones of karaki wood set off tea wares such as white porcelain, red clay, and antique pewter. Within the spare rectangular form the burl figure emerges like a landscape, quietly evoking the world of literati tea.\u003c\/p\u003e\n\u003cp\u003eThe tray is well used; its surface shows numerous scuffs, fine scratches, and variations in luster. There is minor wear at the corners, and overall uneven coloring and signs of use, which nevertheless contribute to its character. Please enjoy this piece with an understanding of its condition.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52440627052825,"sku":null,"price":76000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052713694.jpg?v=1779870410"},{"product_id":"antique-japanese-ceramics-289","title":"LIDDED TEA BOWL, Ko-Imari, with underglaze blue connected leaf design, set of 10, Edo Period (1603–1867 CE)","description":"\u003cp\u003eA set of 10 Ko-Imari underglaze-blue lidded tea bowls dating to the Edo period.\u003c\/p\u003e\n\u003cp\u003eOn the exterior of both the body and the lid, a large motif of interlinked leaves is painted in underglaze blue. Overlapping fine strokes that evoke leaf veins, together with subtle variations in the blue’s intensity, lend the vessel a cool, rhythmic presence. A band pattern with stippling encircles the rim, and the interior well is adorned with a small gourd motif.\u003c\/p\u003e\n\u003cp\u003eThe vessel is attractive even with the lid set in place; its low, softly rounded profile provides an excellent backdrop for the underglaze-blue design. Of a convenient size for use as a small serving dish or side bowl, it is easy to incorporate into service for simmered dishes, dressed vegetables, sweets, and the like.\u003c\/p\u003e\n\u003cp\u003eThat the set survives intact as a group of ten adds to its appeal. Each piece is convenient for individual use, and having them together makes them practical for meals, tea gatherings, or for coordinating tableware in a shop. The connected‑leaf design, though simply rendered, is vigorous; the variations in indigo and the energy of the brushwork reveal a quality characteristic of Ko‑Imari.\u003c\/p\u003e\n\u003cp\u003eThere are individual variations in the depth of the underglaze blue and in the firing, each conveying the hand of the maker. Alongside fine wear consistent with age, glaze irregularities, and iron specks, the foot rims of the bowl and lid show old nicks and slight chipping. Nevertheless, there is no substantial damage that compromises the overall appearance, and the piece is in good condition for an antique ceramic.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52444383871257,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052813736.jpg?v=1779949028"},{"product_id":"antique-japanese-ceramics-290","title":"LOTUS-SHAPED TEAPOT STAND, White-glazed with three legs, Edo Period (1603–1867 CE)","description":"\u003cp\u003eA three-legged, white-glazed teapot stand made in the Edo period.\u003c\/p\u003e\n\u003cp\u003eThe body is lobed, evoking a lotus leaf, and is raised on three small feet. A shallow, constricted, vein-like line is rendered at the center, producing gentle shading beneath the white glaze. Although modest in size, the form conveys a lively sense of movement and can serve as a vase stand, teapot stand, or incense-burner stand.\u003c\/p\u003e\n\u003cp\u003eThe glaze is a slightly warm white; fine crazing, the clay’s earthy character, and occasional grayish glaze pooling create a picture typical of antique ceramics. It combines an earthiness reminiscent of Old Seto with the composed refinement associated with Kyoto ware produced as tea utensils, resulting in a quiet elegance well suited to the tea room or a sencha tea setting.\u003c\/p\u003e\n\u003cp\u003eIn the photograph it is paired with a red-clay teapot, but when used to support a small teapot, a tea-pouring vessel, or an incense burner, the soft texture of the white glaze beautifully accentuates the contours of the vessel. It sits neatly on a tea shelf or tabletop and can be enjoyed as an object for imaginative display.\u003c\/p\u003e\n\u003cp\u003eFine surface wear consistent with age, variations in the glaze, crazing, and traces of adhering soil are present; there are no chips or significant damage, and the piece remains in good condition for an antique ceramic.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52444384395545,"sku":null,"price":32000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052813799.jpg?v=1779949208"},{"product_id":"antique-korean-ceramics-106","title":"DISH, Katade, white porcelain, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA hard-bodied white porcelain dish from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eThis is a beautiful example with a firm-bodied glaze of pronounced whiteness. The vessel is made with a certain thickness; the rim rises gently, and the interior broadens toward the edge in a calm sweep. Its shape is neatly proportioned without being overly refined, and the area around the foot retains the texture of the clay—together conveying the robust presence typical of white porcelain from the early to mid-Joseon period.\u003c\/p\u003e\n\u003cp\u003eConcentric sand marks from firing remain in the interior, imparting to the tranquil white porcelain surface a character reminiscent of antique ware. Fine crazing extends across the glaze, and together with iron specks and a subtle gray‑blue tonality, it reveals the distinctive expression of a vessel that has aged over time.\u003c\/p\u003e\n\u003cp\u003eIts dimensions are practical—neither too large nor too small. The appeal lies in its spare white-porcelain surface; it is well suited not only as a plate for serving food but also as a dish for confections or as part of a tea ceremony arrangement, and can be enjoyed when used as a stand for a teapot.\u003c\/p\u003e\n\u003cp\u003eFine wear consistent with age, irregularities in the glaze, iron spots, crazing, and sand‑grain impressions in the well are evident. There are old chips and minor losses along the rim, which enhance the antique character and do not significantly mar the overall appearance.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52444385018137,"sku":null,"price":21000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052813824.jpg?v=1779949302"},{"product_id":"antique-korean-ceramics-107","title":"PLATE, Celadon, Goryeo Dynasty (918–1392 CE)","description":"\u003cp\u003eA celadon plate made during the Goryeo Dynasty.\u003c\/p\u003e\n\u003cp\u003eA celadon glaze with a gray-green cast coats the shallow, wide form. Rather than a bright jade tone, the glaze presents a deep, subdued color that seems mellowed by time; the surface reveals fine crazing, areas of glaze unevenness, and the texture of iron-rich clay.\u003c\/p\u003e\n\u003cp\u003eThe interior bears a circular step, with kiln marks remaining at the center. The rim is slightly upright; unlike the neatly finished Goryeo celadon, this example displays a somewhat rugged clay character and a vigorous quality of execution.\u003c\/p\u003e\n\u003cp\u003eWith a convenient diameter of approximately 19 cm, it is well suited not only as a dish for sweets or for serving fruit, but also sits harmoniously in a tea setting or as a tabletop arrangement. Its subdued celadon tone harmonizes with white porcelain, red clay, and wooden implements, imparting a quiet sense of depth to any grouping.\u003c\/p\u003e\n\u003cp\u003eFine wear from age, glaze irregularities, crazing, iron spots, and kiln marks are visible. Hairline cracks are present, and an old paper label thought to have been affixed in Korea remains on the reverse. Overall, the piece retains the attractive character of an antique ceramic.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52444385640729,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052813847.jpg?v=1779949630"},{"product_id":"antique-japanese-ceramics-291","title":"CONFECTIONERY BOWL, Ko-Imari, with underglaze blue floral and plant design, Edo–Meiji Period (1603–1912 CE)","description":"\u003cp\u003eA Ko-Imari underglaze-blue confectionery bowl dating from the Edo through Meiji periods.\u003c\/p\u003e\n\u003cp\u003eA small lidded container with a cylindrical body and a fitted lid. Flowing lines on the sides form floral and plant motifs, with diagonal-line patterns above and below. Though modest in size, the underglaze-blue decoration is densely worked, the gradations of blue set off beautifully against the white porcelain ground.\u003c\/p\u003e\n\u003cp\u003eThe exterior of the lid is painted with floral and plant motifs, while the rim is decorated with a scroll-like arabesque pattern. Closed, the piece presents a composed, refined profile; opened, the interior is crisp and white, making it well suited to contain confections, small tea utensils, incense implements, and similar objects.\u003c\/p\u003e\n\u003cp\u003eSmall enough to fit in the palm of the hand, this piece can be easily incorporated into a tea shelf or tabletop arrangement. Though decorated in the bright underglaze blue characteristic of Ko-Imari, its form is restrained, making it easy to pair with other vessels and wooden utensils.\u003c\/p\u003e\n\u003cp\u003eMinor surface wear, glaze irregularities, iron spots, and soiling consistent with age are present; however, there is no substantial damage that detracts from the overall appearance, and it remains in good condition for an antique ceramic.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52444386296089,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052813878.jpg?v=1779949705"},{"product_id":"antique-other-metal-products-62","title":"OLD LOBED-FLOWER-SHAPED TIN TEA SAUCER, marked Qianlong nian zhi, copper-covered, With box, set of 5, Qing Dynasty (1616–1911 CE)","description":"\u003cp\u003eA set of five flower-shaped tea saucers in antique pewter, made during the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eThe form is a lobed, flower-like silhouette projecting to either side, with a shallow central depression and a copper-clad rim encircling the lip. The soft silver of the tin is subtly overlaid by a narrow band of the copper’s muted golden tone, producing a restrained yet well-defined outline. The well is finely incised with floral-and-bird motifs, and the ground is finished with delicate punchwork in a fish‑roe pattern.\u003c\/p\u003e\n\u003cp\u003eIn China, tinware was widely employed for tea utensils, wine vessels, and stationery, and within the sencha tea culture it has long been prized as tea saucers and bottle rests. Though modest in size, this piece is broad in profile and gently accommodates small white porcelain cups or underglaze-blue sencha bowls.\u003c\/p\u003e\n\u003cp\u003eThe set comprises five pieces and shows tin’s characteristic scuffing, minor scratches, and age-related toning. These are within the natural range for antique tea utensils, giving the restrained patina typical of metalware long in use. The bases are marked Qianlong nian zhi, and the original box is included. Recommended for sencha gatherings or Chinese tea service.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449199980825,"sku":null,"price":90000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052913917.jpg?v=1780042268"},{"product_id":"antique-other-metal-products-159","title":"OLD TIN TEA CADDY, With a square-shaped form, Qing Dynasty (1616–1911 CE)","description":"\u003cp\u003eA square tea caddy of antique pewter, made during the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eThe body is square with subtly rounded corners, rising to a cylindrical mouth in an impeccably restrained profile. Unadorned, its quiet form is composed solely of planes and edges, and the subdued silvery-gray typical of antique pewter envelops the whole. When lifted it is remarkably light, the thinly wrought pewter revealing a delicately wrought construction characteristic of such vessels.\u003c\/p\u003e\n\u003cp\u003eTinware in China has long been used for tea caddies, tea saucers, bottle stands and drinking vessels. Its tendency to resist moisture makes it especially suitable for storing tea leaves, and it has been treasured as a utensil for sencha and Chinese tea for many years. This piece may be used as a small tea caddy for tea leaves or as an element of a tea‑table arrangement.\u003c\/p\u003e\n\u003cp\u003eThe surface bears tin's characteristic scuffs, fine scratches, and an age-softened patina. Wear at the corners and base attests to long use, giving the metal vessel a distinct expression. Its square form sits neatly on the tabletop and harmonizes with a red clay teapot, white porcelain cups, or an antique tray. Modest in scale, this antique tin tea caddy lends a quiet, grounding presence to the tea setting.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449200177433,"sku":null,"price":75000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052913959.jpg?v=1780042354"},{"product_id":"antique-other-metal-products-160","title":"OLD COPPER KENSUI, With rings, Qing Dynasty (1616–1911 CE)","description":"\u003cp\u003eAn antique copper kensui with rings from the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eThe body is rounded, nearly oval, and the mouth is encircled by a petal-edged rim carved with fine notches. Rings are mounted on either side of the body, while a narrow band of delicate hammering, reminiscent of a fish-roe ground, runs around the central section. The muted golden hue of aged copper is overlaid with age-related discoloration and verdigris, presenting the quiet demeanor characteristic of a literati tea utensil.\u003c\/p\u003e\n\u003cp\u003eA kensui is a vessel used at the tea table to receive hot water and rinse water. This example is modest in size, suited to arrangements for sencha or Chinese tea, and does not appear overly heavy when placed beside a teapot or tea cups. Its ringed form and hammered surface evoke the character of ancient Chinese bronze vessels.\u003c\/p\u003e\n\u003cp\u003eThe surface exhibits age-related patina, wear, fine scratches, verdigris, and signs of use on the interior. The rim and body show minor dings, but these remain within a desirable range for an antique metal vessel. This is a piece suitable for incorporation into a sencha gathering or a Chinese tea service.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449200406809,"sku":null,"price":50000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052913989.jpg?v=1780042407"},{"product_id":"antique-other-metal-products-161","title":"OLD ROUND TIN TEAPOT STAND, Eishōdō zō, Qing Dynasty (1616–1911 CE)","description":"\u003cp\u003eAn antique round tin bottle stand by Eishōdō, dating from the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eA shallow, slightly raised circular vessel with a gently everted rim and a flat central surface. Although simply made with restrained decoration, the soft silvery-gray characteristic of antique pewter has acquired layers of age-related tarnish and traces of rust, giving it a quiet, composed appearance. The base bears the mark Eishōdō zō.\u003c\/p\u003e\n\u003cp\u003eA vessel stand is used as a base for teapots, tea jars, and similar objects. This example, modest in size, is well suited to a small red-clay teapot, a petite flower vase, or a tea caddy, and it fits harmoniously into a Japanese green-tea or Chinese tea arrangement. Its thin, low profile supports the tea utensils with quiet restraint.\u003c\/p\u003e\n\u003cp\u003eThe surface bears wear characteristic of pewter: abrasion, fine scratches, dulling, and areas of oxidation. The reverse likewise shows age‑related discoloration and signs of use; these conditions are consistent with and acceptable for an antique metal vessel.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449200603417,"sku":null,"price":29000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052914015.jpg?v=1780042462"},{"product_id":"antique-other-wood-products-262","title":"STRAW TEAPOT STAND, Woven, Showa Era (1926–1989 CE)","description":"\u003cp\u003eA small circular basket woven from straw.\u003c\/p\u003e\n\u003cp\u003eOriginally presumed to be an everyday basket for holding items, ROCANIIRU presents it as a stand for placing a teapot or tea caddy. The rustic construction—thick bundles of straw woven into a circular form—is surprisingly light in the hand and has the soft tactile quality characteristic of natural materials.\u003c\/p\u003e\n\u003cp\u003eA bottle stand is a tool for resting a teapot or tea jar. Because this piece is woven from straw, it is a poor conductor of heat, helping to maintain the temperature when a hot teapot is placed on it. It is useful for winter tea gatherings and for outdoor tea service. ROCANIIRU also uses straw-woven bottle stands like this for outdoor tea service.\u003c\/p\u003e\n\u003cp\u003eUnlike metal or ceramic stands, the straw’s bright tone and woven texture lend a gentle air to the tea setting. It pairs well with red-clay teapots and Chinese tea ware, making it an accessible choice for everyday tea arrangements.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449200865561,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052914037.jpg?v=1780042518"},{"product_id":"antique-other-metal-products-162","title":"OLD TETSUBIN, Qing Dynasty (1616–1911 CE)","description":"\u003cp\u003eAn old cast-iron kettle made in China during the Qing dynasty.\u003c\/p\u003e\n\u003cp\u003eIn Japan these are often identified as Joseon tetsubin, but such pieces are considered iron kettles produced in China from the late Ming through the Qing dynasty. They were used to brew tea or as hot‑water vessels, and they convey the character of China’s older tea‑drinking customs to the present day.\u003c\/p\u003e\n\u003cp\u003eA squat, substantial body is fitted with a short, robust spout, and the upper section is equipped with an iron lid and a large handle. Though apparently made solely to fulfill its function without decoration, its unadorned simplicity projects a strong presence. The thick iron surface shows layers of age—rust and a dark-brown, weathered texture accumulated over a long period—revealing the deep expression characteristic of antique ironware.\u003c\/p\u003e\n\u003cp\u003eLu Yu’s The Classic of Tea from the Tang dynasty also describes iron vessels used for boiling tea. Such iron kettles, as implements connected to the older practice of boiling tea and heating water, sit naturally within literati tea culture and other Chinese tea settings.\u003c\/p\u003e\n\u003cp\u003eRust, surface pitting, interior discoloration and signs of use are evident overall. As this is an old iron kettle, if it is to be used, season it while removing the rusty odor—traditionally by repeatedly simmering green tea or by boiling water and discarding it. The construction is notably substantial, with a thick base. This is a robust, well-aged iron kettle intended to be used and allowed to develop its character over time.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52449200996633,"sku":null,"price":320000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026052914053.jpg?v=1780042727"},{"product_id":"antique-japanese-ceramics-292","title":"JAR, Ko-Tokoname, Muromachi Period (1336–1573 CE)","description":"\u003cp\u003eA Ko-Tokoname jar dating to the Muromachi period.\u003c\/p\u003e\n\u003cp\u003eA robust form characteristic of Ko-Tokoname, with a full, well-shouldered body and a short, upright mouth. A natural glaze from the firing, ranging from dark brown to gray, covers the surface, while the red clay body peeks through in places. There are no conspicuous drips, but the subdued expression typical of long-fired unglazed stoneware imparts a timeworn reserve that quietly envelops the whole jar.\u003c\/p\u003e\n\u003cp\u003eTokoname is counted among the six medieval kilns and produced many large high-fired unglazed ceramics—jars, pots, and vessels associated with sutra tubes—used in daily life and religious practice. This piece is also thought to have been made as a storage vessel; its full, rounded body and stable base convey the plain, substantial presence characteristic of medieval pottery.\u003c\/p\u003e\n\u003cp\u003eAround the rim, on the body, and at the base there are age-related wear, kiln marks, small impacts, and areas of exposed clay. The base retains the coarseness of the clay from firing, giving it the rugged character typical of medieval ceramics. When fitted with an inner liner for flowers, it readily accepts wildflowers and branches with quiet simplicity.\u003c\/p\u003e\n\u003cp\u003eThis Ko-Tokoname jar, of a manageable size—neither too large nor too small—can be readily incorporated into a tokonoma alcove, placed on a shelf, or used in interior arrangements.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456700805401,"sku":null,"price":60000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114093.jpg?v=1780306107"},{"product_id":"antique-korean-ceramics-108","title":"SQUARE BOTTLE, Lapis-glazed, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eThis square bottle, coated in lapis glaze, is thought to date from the mid- to late Joseon dynasty.\u003c\/p\u003e\n\u003cp\u003eThis powerful bottle is formed with a square-section body and boldly carved facets. Geometric planes run from the shoulder across the body, converging toward a slender, upright neck. The deep lapis glaze varies in intensity across the facets, with the ridges appearing white where the glaze has been thinned.\u003c\/p\u003e\n\u003cp\u003eJoseon-period lapis glaze is scarcer in surviving examples than white porcelain or buncheong ware and is known for its distinctive, deep blue. This example is notable not only for the intensity of its lapis glaze but also for its square-bottle form. Unlike round jars or bottles, its planes and ridgelines catch the light, so its appearance shifts markedly with the angle at which it is placed.\u003c\/p\u003e\n\u003cp\u003eThere is glaze loss, firing accretions, and areas of exposed clay around the base. Small firing marks, glaze unevenness, and rubbing are also present on the body and rim, but these fall within the expected range for an antique ceramic. The deep blue of the lapis glaze and the white glaze accents that appear along the ridgelines are beautiful, and the piece offers a quiet presence when displayed on a shelf or in an alcove setting.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456701395225,"sku":null,"price":200000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114123.jpg?v=1780306158"},{"product_id":"antique-korean-ceramics-109","title":"CARP-SHAPED WATER DROPPER, Lapis-glazed, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA carp-shaped water dropper in lapis glaze, made during the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eThis small water dropper, shaped like a carp, bears a plantlike motif on its back and linear incisions on the tail. A lapis glaze has been allowed to bleed over the white body, the varying intensities of blue spreading softly across the diminutive surface. Its slightly irregular form and glaze convey the simple, unpretentious charm characteristic of small Joseon wares.\u003c\/p\u003e\n\u003cp\u003eA water dropper is a desk implement used to add water to an inkstone. In the Joseon dynasty, small water droppers shaped like animals, fish, peaches, and lotuses were produced; while practical in function, they were also objects of refined appreciation when placed on the desk. This example, though small enough to fit in the palm of the hand, harmonizes the carp form with a lapis-blue glaze, imparting a quiet pleasure to the scholar’s desk.\u003c\/p\u003e\n\u003cp\u003eThe base shows exposed clay and adherent deposits; overall there are glaze irregularities, areas of rubbing, minor scratches, and age-related soiling. Water apertures at the spout and on the back ensure that its form as a water dropper is well preserved. Recommended both as a small desk implement and as a collector’s object of Joseon ceramics.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456702148889,"sku":null,"price":28000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114152.jpg?v=1780306228"},{"product_id":"antique-korean-ceramics-110","title":"WHITE-INLAID BOTTLE \/ TOKKURI, Buncheong ware, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA small white-inlaid buncheong bottle dating to the early Joseon period. It may be used as a tokkuri.\u003c\/p\u003e\n\u003cp\u003eSmall enough to fit in the palm, this piece nonetheless displays the low, rounded swelling of the body characteristic of early Joseon vessels, making it exceptionally comfortable to hold. The rim opens slightly outward, and the lines flowing naturally from neck to shoulder and from shoulder to body possess the gentle softness typical of early buncheong.\u003c\/p\u003e\n\u003cp\u003eThe body is entirely covered with fine white inlay. White inlay is a technique in which designs are incised into the clay body, filled with white clay, and then fired. While inheriting the inlay technique of Goryeo celadon, early Joseon buncheong wares developed a more rustic and free expression. In this example, small dot motifs are struck across the body, enveloping it and appearing softly beneath the glaze.\u003c\/p\u003e\n\u003cp\u003eIn Japan, this type of white-inlaid Buncheong ware is known as Mishima and has long been cherished by tea connoisseurs. The scene of fine dotted and linear motifs was likened to the calendar of Mishima Taisha in Izu, and it is said that this association gave the style its name. This piece likewise shows white-inlaid dot motifs quietly spreading across the small vessel surface, possessing a density suited to contemplation in the palm.\u003c\/p\u003e\n\u003cp\u003eThe bluish glaze displays fine crazing that, together with the white-inlaid dotted pattern, creates a gentle sense of depth. The decoration is delicate, yet the overall form is light and carries a quietly approachable presence. The unpretentious beauty characteristic of buncheong ware is clearly evident.\u003c\/p\u003e\n\u003cp\u003eThe capacity is approximately 70cc. Its compact, palm-sized proportions make it suitable as a small sake bottle; while intended as a drinking vessel, it can also serve on the tea tray as a petite flower vase. Wear consistent with age is visible on the rim and around the foot, together with glaze irregularities and areas where the clay is exposed, all within an acceptable range for an antique ceramic.\u003c\/p\u003e\n\u003cp\u003eAlthough modest in scale, this bottle is pleasing to the hand: its slightly bulbous lower body and well-executed white-inlaid decoration together convey the charm of early Joseon buncheong ware.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456702869785,"sku":null,"price":190000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114168.jpg?v=1780306279"},{"product_id":"antique-japanese-art-17","title":"OLD COPPER MINIATURE BUDDHA FIGURE, Edo–Meiji Period (1603–1912 CE)","description":"\u003cp\u003eAn old‑copper miniature Buddha dating from the Edo to Meiji periods.\u003c\/p\u003e\n\u003cp\u003eThis diminutive Buddha figure, measuring only about 3 cm in height, quietly preserves the forms of the head, shoulders, and torso despite its simplified rendering. Seen from the front it reads as a slender standing figure; in profile it shows slight thickness, and placed in the palm of the hand its tiny scale becomes readily apparent.\u003c\/p\u003e\n\u003cp\u003eThe metal is an old copper with a slight yellow cast; the surface shows age-related darkening and traces of verdigris. Rather than being worked into fine detail, it is presented as a small form of devotion, possessing the quiet simplicity characteristic of a tiny Buddha that fits in the palm.\u003c\/p\u003e\n\u003cp\u003eAt the top is a small ring-shaped fitting, which likely originally served for threading a cord or fastening the object to something. It may have functioned as a portable devotional image, a protective talisman, or as part of a devotional item kept in a small shrine or in a pouch.\u003c\/p\u003e\n\u003cp\u003eThe surface bears wear, verdigris, and tarnish. Despite its modest size, it conveys the seasoned character of aged copper and possesses an intimate presence that invites close handling and contemplation.\u003c\/p\u003e\n\u003cp\u003eA fine single figure, well suited as a pocket Buddha.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52456703590681,"sku":null,"price":20000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060114186.jpg?v=1780306316"},{"product_id":"antique-japanese-art-18","title":"WOODEN STATUE OF DAIKOKUTEN, Edo–Meiji Period (1603–1912 CE)","description":"\u003cp\u003eA wooden statue of Daikokuten dating from the Edo through Meiji periods.\u003c\/p\u003e\n\u003cp\u003eThis small figure, approximately 9 cm high, represents Daikokuten seated on a straw bale and bearing a large sack on his shoulder. Rather than carving fine detail, the sculptor removed substantial volumes from the block of wood, treating the face, shoulders, torso, and bale as broad planes. Though modest in scale, the carving is decisive: when viewed from the front, the outline of the figure rises powerfully from the dark mass.\u003c\/p\u003e\n\u003cp\u003eMost striking is a smile that recalls the Buddhas of Enkū. The narrowly incised eyes, the mouth set horizontally, and the spare carved lines give it a rustic yet quietly luminous presence. Rather than a naturalistic divine portrait, this Daikokuten seems as if the figure of the god were perceived in an ordinary piece of wood and simply hewn forth.\u003c\/p\u003e\n\u003cp\u003eThe surface is uniformly darkened by smoke, with heavy deposits of soot on the head, shoulders, and atop the straw bale. It appears to have been long venerated near a hearth or beside a place where fires were used, exposed to smoke day after day. This dark, mellowed patina is the work’s principal attraction—not merely the result of age, but the direct accumulation of time in which it was revered within everyday domestic life.\u003c\/p\u003e\n\u003cp\u003eDaikokuten has long been widely venerated in households and merchants' shops as a deity of good fortune, abundance, and commercial prosperity. This example is less a figure refined for display than a small household deity that would have stood near the hearth and been quietly venerated. The soot-darkened wood and the smile carved into its surface eloquently attest to the enduring power of popular devotion.\u003c\/p\u003e\n\u003cp\u003eAs an older wooden object, the surface exhibits soot deposits, scuffs, small chips, and general wear. There is no major damage, and it remains in good overall condition.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52467369967897,"sku":null,"price":24000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060314205.jpg?v=1780490748"},{"product_id":"antique-chinese-ceramics-154","title":"LI, Red-fired, With wooden box, Shaanxi Longshan Culture (2500–2000 BCE)","description":"\u003cp\u003eA red-fired, three-legged li attributed to the Shaanxi Longshan culture.\u003c\/p\u003e\n\u003cp\u003eThe li is a cooking vessel used from the Neolithic into the Bronze Age in China, distinguished by its three bag-shaped legs. Its form was designed to receive heat from a fire efficiently, and it became one of the important early prototypes of ancient Chinese vessel types that was carried forward into later bronze vessels.\u003c\/p\u003e\n\u003cp\u003eThe present example is a red-fired li with a slightly everted rim, a rounded body, and three pouch-shaped projecting legs. The surface is covered throughout with fine vertical cord-marked smoothing traces, and the pale reddish-brown clay is overlain by white soil accretions suggesting a long period of burial. Although it lacks ornate decoration, the massing where the body gives way to the legs reveals a strong sculptural presence characteristic of ancient ceramics.\u003c\/p\u003e\n\u003cp\u003eThe condition is exceptionally good; the body of the li shows no major loss or conspicuous repairs. For a ceramic several thousand years old, it may be described as virtually intact—an excellent state of preservation. The form, from the rim through the body to the three legs, is well preserved, making it striking both as an archaeological artifact and as a sculptural object.\u003c\/p\u003e\n\u003cp\u003eA wooden box is included. On the underside of the box there is a provenance entry by an old art shop which, according to the former collection’s tradition, records \"Neolithic; found in Korea.\" However, based on the vessel’s shape, clay, and manner of manufacture, it is most naturally regarded as a typical tripod li of the Shaanxi Longshan culture, and ROCANIIRU presents it as a red-fired tripod li of that culture. The bottom slat of the box is damaged.\u003c\/p\u003e\n\u003cp\u003eThe ceramics of the Longshan culture, which flourished in the Yellow River basin of China around 2500–2000 BCE, were utilitarian yet already possessed a formal sensibility that would inform later ritual vessels and bronzes. This piece likewise retains both the practical function of a cooking vessel and the spare, abstract beauty of an ancient artifact.\u003c\/p\u003e\n\u003cp\u003eAs an old excavated and handed-down piece, the surface shows soil encrustation, scuffs, minor abrasions, and adherent deposits. The box has damage to the bottom slat, but the li vessel itself is in very good condition.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52467370918169,"sku":null,"price":210000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060314224.jpg?v=1780490979"},{"product_id":"antique-korean-ceramics-111","title":"JAR, White porcelain, With wooden box, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA white porcelain jar from the early Joseon period.\u003c\/p\u003e\n\u003cp\u003eThe pronounced shoulders, swelling of the body, and low, neatly constricted foot confer a strong form that reads as complete despite its modest size. The rim is drawn thin and flares slightly outward, leaving a crisp edge. The soft roundness of the body and the tautly made mouth are well balanced, conveying the quiet strength characteristic of early Joseon white porcelain.\u003c\/p\u003e\n\u003cp\u003eThe glaze is a translucent white with a subtle bluish cast. Fine crazing runs throughout, and faint stains appear in places. The brightness of the white porcelain, layered with the patina of age, creates gentle shadows across the glaze surface.\u003c\/p\u003e\n\u003cp\u003eEarly Joseon white porcelain, inheriting the legacy of Goryeo celadon, rejected excessive ornament and increasingly emphasized the form of the white vessel itself and the restrained use of empty space. This example likewise expresses the beauty of Joseon white porcelain without relying on decoration, revealing it through the body's gentle fullness, the line of the rim, and the whiteness of the glaze.\u003c\/p\u003e\n\u003cp\u003eThe condition is very good. The rim, body, and foot show no significant damage, and the piece remains stable as an antique white porcelain jar. Traces of the clay color remain within the foot; on the interior base and the exterior there are age-related stains, crazing, and subtle variations in the glaze — all of which can be appreciated as part of the jar’s visual character.\u003c\/p\u003e\n\u003cp\u003eA wooden box is included. The lid shows warping consistent with age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52467372097817,"sku":null,"price":220000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060314251.jpg?v=1780491075"},{"product_id":"antique-japanese-ceramics-293","title":"JAR, Sue Ware, Nara–Heian Period (710–1185 CE)","description":"\u003cp\u003eA Sue ware jar produced between the Nara and Heian periods.\u003c\/p\u003e\n\u003cp\u003eWith a broadly swelling body, a short upright neck, and a mouth rim that flares outward, this jar presents a taut silhouette that recalls early medieval kiln wares. The rounded, weighty body is offset by a thin, sharply finished rim, clearly expressing the hard, sculptural quality characteristic of ancient Sue ware.\u003c\/p\u003e\n\u003cp\u003eThe vessel’s form displays distortions that arose in the kiln during firing. The rim and the body’s contours do not form perfect circles but retain a subtle undulation, as if softened and shifted by the heat. Rather than flaws, these deformations are characteristic of ancient ceramics fired at high temperatures and constitute one of the piece’s notable features.\u003c\/p\u003e\n\u003cp\u003eThe vessel's surface retains hammer marks, and natural glaze and ash deposits from firing create a complex overall appearance. The skin, shifting from ashy blue to blackish brown, reveals the reddish color of the clay in places, giving it the rugged character of a piece long exposed to fire. Although undecorated, its surface—shaped by clay, fire, and ash—is richly expressive and offers many points of interest.\u003c\/p\u003e\n\u003cp\u003eSue ware developed from techniques brought from the Korean Peninsula during the Kofun period; it is a high‑fired, unglazed stoneware. In the Nara and Heian periods, vessels in the Sue ware lineage were produced alongside ash‑glazed wares, exemplified by the Sanage kilns, offering a view of the development of ceramics from antiquity into the early medieval era. This piece likewise displays the hard, stony surface characteristic of ancient Sue ware and the vigorous jar form that anticipates later kilns.\u003c\/p\u003e\n\u003cp\u003eThere are surface abrasions, ash deposits, soil staining, kiln marks, rim chips and gold repairs. The restorations are exceptionally meticulous, revealing the attentive care of the vessel’s former owner. There is no damage that significantly compromises the form, and the jar retains a robust presence characteristic of Sue ware.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52467372884249,"sku":null,"price":98000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060314280.jpg?v=1780491185"},{"product_id":"antique-japanese-ceramics-294","title":"LIDDED BOX BASE, Ko-Seto, Kamakura Period (1185–1333 CE)","description":"\u003cp\u003eA small Ko-Seto lidded box dating to the Kamakura period.\u003c\/p\u003e\n\u003cp\u003eThis small work, measuring approximately 5.5cm in width and fitting in the palm, displays a low, gently rounded body with a modestly opened mouth. The form shows a pronounced warp from firing: the body’s outline does not form a perfect circle but is shifted to one side as if pressed. Though not a precisely finished miniature, this distortion rather enhances its antique character and harmonizes with the rich surface created by the thickly applied ash glaze.\u003c\/p\u003e\n\u003cp\u003eThe principal attraction is the effect of the thickly applied ash glaze. Milky, opacified areas of glaze, pale aquamarine pools, and sections of clay that have browned overlap in complex layers, effectively conveying the firing character typical of Ko-Seto. The glaze is not uniform: it shows flaking, slight wrinkling, crazing, and exposed clay, forming a small landscape that has developed over a long period.\u003c\/p\u003e\n\u003cp\u003eKo-Seto refers to glazed ceramics produced at Seto from the Kamakura to the Muromachi periods. Renowned among Japan’s medieval ceramics for its early use of glaze, it made extensive use of ash and iron glazes to produce jars, bottles, lidded boxes, Buddhist ritual implements, and everyday vessels. In this piece the characteristic Ko-Seto surface — a thick application of ash glaze — is clearly evident.\u003c\/p\u003e\n\u003cp\u003eThough modest in size, the vessel offers striking details—the flow of the glaze, the variations from firing, and its distinctly warped profile. Set on a desk or shelf, it quietly lends the calm presence of an antique ceramic.\u003c\/p\u003e\n\u003cp\u003eThe rim and body show chips, areas of glaze loss, crazing, soil staining, and surface abrasion. Although the piece exhibits age-related wear overall, it remains in good condition for a small example of medieval pottery.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52467373605145,"sku":null,"price":27000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060314305.jpg?v=1780491273"},{"product_id":"antique-japanese-ceramics-295","title":"LARGE JAR, Ko-Echizen, Muromachi Period (1336–1573 CE)","description":"\u003cp\u003eA large jar of Ko-Echizen ware from the Muromachi period.\u003c\/p\u003e\n\u003cp\u003eThis is a substantial jar, approximately 42 cm in both height and body diameter, presenting a dignified form with a generously rounded belly and a slightly flaring rim. There is a pronounced sense of volume from the shoulder to the body, and when set on a wooden floor or earthen surface, the clay’s elemental presence characteristic of Ko-Echizen quietly emerges.\u003c\/p\u003e\n\u003cp\u003eA cross-shaped kiln stamp is incised on the shoulder. At medieval kiln centers such as Echizen, Tokoname, and Shigaraki, jars and storage vessels were often marked with such stamps, and this piece similarly reflects the production character of that period.\u003c\/p\u003e\n\u003cp\u003eThe two-tiered appearance formed by the exposed clay and natural glaze is the principal attraction: on the upper section, ash deposited in the kiln has melted and flowed as a natural glaze, showing hues from yellow-brown to greenish-brown. By contrast, the lower part of the body reveals a broad expanse of reddish-brown clay, layered with years of abrasion and adherent deposits. The juxtaposition of the fire-affected upper zone and the raw clay below produces the strong, distinctive character typical of Ko-Echizen large jars.\u003c\/p\u003e\n\u003cp\u003eEchizen ware, regarded as one of the Six Ancient Kilns of Japan, comprises medieval ceramics produced chiefly as utilitarian vessels—jars, large storage jars, mortars, and similar forms. Rather than applying glaze intentionally, ash falling in the kiln creates natural glaze effects through the interaction of fire and clay. This piece likewise reveals the uncontrived, generous charm of the medieval kiln’s firing.\u003c\/p\u003e\n\u003cp\u003ePlaced in an entranceway, an earthen-floored area, or any generous space, it is particularly striking when used to display large branch arrangements. The jar itself has a substantial presence, so even bearing a single branch will bring focus and definition to the surrounding space.\u003c\/p\u003e\n\u003cp\u003eAn inspection in which the jar held water for approximately one hour revealed no leaks. However, being an antique large, high-fired, unglazed stoneware jar with natural ash glaze and an exposed clay surface, the vessel may gradually seep water if left filled for extended periods. When used as a flower vessel, it is advisable to insert a liner or otherwise protect the surface on which it is placed.\u003c\/p\u003e\n\u003cp\u003eBecause of the shape of the base, the piece is slightly unstable when empty. When filled with water its weight provides stability; if the surface on which it rests or the possibility of vibration is a concern, use protective padding such as felt to make adjustments.\u003c\/p\u003e\n\u003cp\u003eOwing to its age, the rim bears chips, the body shows wear and abrasion, and there are firing marks, iron staining, flaking of the natural glaze, and encrusted deposits. There is no significant damage that alters its overall form; it retains a powerful presence as a Ko-Echizen large jar.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52479244370201,"sku":null,"price":120000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060514323.jpg?v=1780638259"},{"product_id":"antique-japanese-ceramics-296","title":"OLD JAR, Tamba, Edo Period (1603–1867 CE)","description":"\u003cp\u003eA Tamba jar from the mid-Edo period.\u003c\/p\u003e\n\u003cp\u003eThis jar measures approximately 28cm wide and 26cm high, with a rounded, swollen body and a short, upright rim. Its proportions—neither too large nor too small—make it easy to place on the floor, a shelf, or by an entrance, and it firmly conveys the compelling presence of antique pottery.\u003c\/p\u003e\n\u003cp\u003ePart of the rim bears a notch, apparently intended for hanging a ladle. This detail, occasionally found on Old Shigaraki jars, should not be read as mere damage but as evidence of the vessel’s use for handling water or other liquids. The opposite side of the rim has a large chip; in this jar, that too has become part of its visual character.\u003c\/p\u003e\n\u003cp\u003eAcross the body, natural ash glaze formed in the kiln has fallen heavily, producing a complex layering of white, flowing ash, dark brown firing discoloration, and a reddish clay surface. Tamba ware is counted among Japan’s six ancient kilns and has long produced chiefly everyday vessels such as jars, crocks, and mortars. As ash descends within the kiln and the interplay of clay and fire yields natural glaze, many notable works have been produced. This piece is not a formally pristine, refined jar, yet the white flow on the front is powerful and conveys clearly the effects of fire and ash. Chips to the rim, numerous kiln scars, and scuffs on the body have been left unrepaired and untouched. There is a bearing here unique to a vessel worn through use as a tool—one that does not condemn its flaws but, instead, reveals a singular beauty distinct from that of an intact example.\u003c\/p\u003e\n\u003cp\u003eThis jar bears numerous marks, yet somehow invites flowers. When branches or wild blooms are arranged loosely within it, the chips and the rugged vistas of natural glaze embrace the flowers, revealing a beauty that is not overly refined. Rather than a neat, pristine example, this antique ceramic is to be enjoyed for the passage of time it embodies.\u003c\/p\u003e\n\u003cp\u003eOwing to its age, the rim bears notches believed to have been made for a ladle and a large chip; the body shows abrasion, kiln scars, areas where the natural glaze has flaked, iron staining, and adhered deposits. While there are numerous marks and signs of use, they do not significantly impair the jar’s overall form, and it retains the deeply expressive character of an old Tamba jar.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52479244927257,"sku":null,"price":40000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060514362.jpg?v=1780638352"},{"product_id":"antique-other-stone-products-23","title":"HORSESHOE STONE JAR, Natural Object (Date Unknown)","description":"\u003cp\u003eHorseshoe stone jar.\u003cmeta charset=\"utf-8\"\u003eAs it is a natural stone, its date is unknown.\u003c\/p\u003e\n\u003cp\u003eA small stone only about 9.5cm wide, it nevertheless—when seen from the front—possesses the calm, powerful presence of a Muromachi-period seed jar from old Tokoname and suggests the posture of a crouching figure. A naturally formed hole in the rounded lower section opens like a mouth, giving it a jar-like appearance.\u003c\/p\u003e\n\u003cp\u003eShaped over a long period by water flow and abrasion, it contains a tubular cavity within, and its exterior retains an aged brown surface and the characteristic luster of stone. Though formed by natural forces, its appeal lies in the ability to discern the form of a jar within it.\u003c\/p\u003e\n\u003cp\u003eWhen placed on a stand it acquires a more defined center of gravity, yet even without a stand it reads as a complete jar. The rim’s seemingly chipped outline and the rounded body impart the aura of an ancient vessel long buried or lingered by the water’s edge. As one might liken it to early Tokoname seed jars or to a crouching form, there is a quiet pleasure in discerning the vessel’s shape within the stone.\u003c\/p\u003e\n\u003cp\u003eA single small bloom accentuates the interplay between the stone’s weight and the plant’s softness. When accompanied by hydrangea or wildflowers, it evokes a quiet scene distinct from that of antique ceramics, as if nature itself were the vessel. When moistened, the stone surface deepens in color, revealing a luster and expression different from its dry state.\u003c\/p\u003e\n\u003cp\u003eAs this is a natural stone, the surface exhibits irregularities, scuffs, chips, encrustations, and naturally occurring holes and cracks. No water leakage was observed during several hours of testing; however, when used as a flower vessel, please employ an insert or saucer as necessary. A stand is included.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52479244992793,"sku":null,"price":35000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060514398_ba3e3c17-0046-4099-8019-ff0667fdf714.jpg?v=1780638463"},{"product_id":"antique-chinese-ceramics-153","title":"COURT LADY FIGURE, Gray earthenware with slip and pigments, Han Dynasty (206 BCE–220 CE)","description":"\u003cp\u003eA Han Dynasty female figurine in gray earthenware, decorated with applied pigments.\u003c\/p\u003e\n\u003cp\u003eThis standing figure, approximately 46cm in height, represents a robed woman set atop slender, elongated legs. The head is somewhat large; although the torso is simplified, the modeling from the collar at the chest through the sleeves, hands, and hem preserves a clear sense of the human figure.\u003c\/p\u003e\n\u003cp\u003eThe surface is coated with a white slip ground, and traces of black, red, and yellow pigments remain. The eyebrows and eyes, the lines of the collar, and the garment patterns preserve the period’s painted treatment; although softened by age, they still convey the distinctive character of Han Dynasty painted burial figures. Particularly striking are the red and yellow lines drawn across the chest and the delicate detailing that survives at the sleeve openings.\u003c\/p\u003e\n\u003cp\u003eDuring the Han dynasty, numerous terracotta figures representing people, livestock, buildings, and objects were produced. A female figure like this one is among the sculptural forms that convey contemporaneous dress, modes of depiction, and views of everyday life. Though rendered with simplified modeling, the overlapping folds of the garments and the gestures of the hands are preserved, making it a striking example of ancient Chinese figural art.\u003c\/p\u003e\n\u003cp\u003eThe body shows no major restorations and, as a gray earthenware figure with slip and pigments, is in relatively good condition. The surface bears soil encrustation, loss of pigment, abrasion, accretions and small chips; the hem and base show age-related wear, but these do not significantly detract from the figure’s overall appearance.\u003c\/p\u003e\n\u003cp\u003eA box is included, but it is considerably worn. The fabric covering shows lifting, tears, soiling, and distortion, so please consider it only as a storage box. The figure itself retains a stable condition for an antique pottery figurine.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52485799510297,"sku":null,"price":260000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060614428.jpg?v=1780756025"},{"product_id":"antique-japanese-ceramics-297","title":"SMALL BOWL, Earthenware, Yayoi Period (300 BCE–250 CE)","description":"\u003cp\u003eA bowl-shaped earthenware vessel from the Yayoi period.\u003c\/p\u003e\n\u003cp\u003eThis shallow, bowl-shaped earthenware, approximately 12.5 cm wide, features a low, spreading profile and a slightly upturned rim. Small in scale yet extending pleasingly sideways, it invites close appreciation of the surface of ancient pottery.\u003c\/p\u003e\n\u003cp\u003eThe surface retains the reddish-brown hue characteristic of Yayoi earthenware; the exterior shows abrasion, soil staining, and adherent deposits. Faint finger marks and traces from forming remain, giving it the plain, earthy character of a utilitarian vessel. It is not highly decorative, yet the thinly drawn rim and the gently curving lines of the body possess the quiet appeal of an ancient everyday vessel.\u003c\/p\u003e\n\u003cp\u003eDuring the Yayoi period, many earthenware vessels rooted in daily life were produced—storage jars, pots, footed dishes, bowls, and bowl-shaped forms. Unlike the complex ornamentation of Jomon pottery, shapes moved toward simpler, more practical forms. This piece clearly expresses that straightforward Yayoi form and the tactile quality of the clay itself.\u003c\/p\u003e\n\u003cp\u003eOn the base there is an ink inscription, believed to have been added by a former owner, relating to the object's excavation. It does not definitively establish a detailed provenance, but remains as evidence that the piece has long been regarded as Yayoi-period pottery.\u003c\/p\u003e\n\u003cp\u003eRepairs are visible from the rim down to the body. The surface also shows abrasion, soil staining, adhering deposits, small chips, and general age-related wear. Despite the restorations, the bowl-shaped form is retained; the piece readily conveys the rustic clay texture and the quiet charm of the shallow profile typical of Yayoi pottery.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52485799805209,"sku":null,"price":9000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060614468.jpg?v=1780756097"},{"product_id":"antique-japanese-art-19","title":"HORSE-SHAPED HANIWA, Kofun Period (250–581 CE)","description":"\u003cp\u003eThis is a horse-shaped haniwa from the Kofun period.\u003c\/p\u003e\n\u003cp\u003eThis robust horse-shaped haniwa bears a saddle and is surrounded by decorative bands representing the headstall and crupper. Its boldly projecting neck, tubular upright legs, and the saddle and ornaments rising from the back clearly reflect the Kofun period’s sculptural sensibility.\u003c\/p\u003e\n\u003cp\u003eHorses in the Kofun period were closely linked with authority, mobility, and ritual. Horses rendered as haniwa were not mere animal likenesses but embodied the power and symbolism people of the time ascribed to them. This example, though adorned in various places across its body, is overall resolved into a concise, generously modeled form and retains the clear, direct quality characteristic of ancient clay work.\u003c\/p\u003e\n\u003cp\u003eThe surface is an earthen tone with a faint reddish-brown cast, showing occasional discoloration from firing and age. The exterior exhibits fine abrasion and areas of roughened clay, and traces of repair are visible at the joints of the neck, body, and legs. One ear is missing and there are restorations in several places, but the overall form as a horse-shaped haniwa is well preserved; whether viewed from the front, the side, or the rear, the strength of its form is clearly conveyed.\u003c\/p\u003e\n\u003cp\u003eMeasuring 44 cm high and 49 cm wide, it has a commanding presence. As a piece that brings ancient form into a space, it makes a strong impression whether placed on a shelf or on the floor.\u003c\/p\u003e\n\u003cp\u003eThere are restorations in several places, one ear missing, surface abrasion, and areas where the clay is roughened. Please note that these characteristics reflect its age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492419629337,"sku":null,"price":280000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814486.jpg?v=1780899567"},{"product_id":"antique-japanese-ceramics-299","title":"CUP, Earthenware, Jomon Period (10000–300 BCE)","description":"\u003cp\u003eA cup-shaped earthenware vessel from the Jomon period.\u003c\/p\u003e\n\u003cp\u003eA small cup-shaped earthenware that fits in the palm of the hand. Measuring only about 6cm, its gently outward-flaring rim and the cord-like band encircling just below the shoulder convey a clear sense of deliberate form within an overall rustic simplicity.\u003c\/p\u003e\n\u003cp\u003eWhen one thinks of Jomon pottery, one often envisions the large, highly decorative vessels typified by flame-style wares; this piece, however, is smaller and of a quieter presence. Formed from coarse clay and shaped as if with the fingertips, its surface preserves the natural character of a clay that contains small stones and grains of sand. The pale, slightly whitish clay is touched here and there by reddish-brown firing, lending it the dry, time-worn texture characteristic of ancient ceramics.\u003c\/p\u003e\n\u003cp\u003eA cord-like band encircles the lower part of the body, tightening the vessel’s base. Although small, this earthenware does not remain merely bowl-shaped; traces of deliberate shaping are visible. The rim shows chipping and wear and is not intact, yet its irregular edge contributes to the vessel’s rustic expression.\u003c\/p\u003e\n\u003cp\u003eModest in scale, when placed on a desk or shelf its earthy presence remains quietly felt. An accessible, inviting piece that brings ancient pottery within easy reach.\u003c\/p\u003e\n\u003cp\u003eThere is flaking at the rim and abrasion and roughness of the clay on the vessel surface. Please note that these characteristics are consistent with the object’s age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492421857561,"sku":null,"price":30000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814526.jpg?v=1780899648"},{"product_id":"antique-japanese-ceramics-300","title":"CUP, Earthenware, Yayoi Period (300 BCE–250 CE)","description":"\u003cp\u003eCup-shaped earthenware from the Yayoi period.\u003c\/p\u003e\n\u003cp\u003eA small cup-shaped earthenware with the rim flaring outward and tapering from the shoulder to the base. Though modest in size—approximately 5.5 cm high—its sides display a gentle fullness, revealing the simple, utilitarian character typical of Yayoi pottery.\u003c\/p\u003e\n\u003cp\u003eThe vessel's surface is an earthen color tinged with grayish-white, with faint reddish patches in places. The exterior retains the coarse texture of clay with embedded grains of sand, and traces of shaping and wear are quietly evident. Unlike the bold ornamentation of Jomon pottery, its plain, utilitarian form conveys a tactile immediacy of ancient daily life.\u003c\/p\u003e\n\u003cp\u003eTraces resembling comb marks appear on the base, on parts of the vessel's surface, and on the inner wall of the bowl. The linear impressions preserved on the interior, in particular, attest to the hand-finishing of this small vessel and offer a notable detail within its unadorned earthenware.\u003c\/p\u003e\n\u003cp\u003eSmall and easy to handle, it sits naturally on a desk or shelf. This cup-shaped earthenware, with a quiet presence, offers an intimate way to appreciate ancient pottery.\u003c\/p\u003e\n\u003cp\u003eThe rim shows minor chipping, and the vessel surface displays wear and a coarse clay texture. Please note that these conditions reflect the object's age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492426445081,"sku":null,"price":15000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814547.jpg?v=1780899706"},{"product_id":"antique-japanese-ceramics-301","title":"CUP, Sue Ware, Kofun Period (250–581 CE)","description":"\u003cp\u003eA Sue ware cup from the Kofun period.\u003c\/p\u003e\n\u003cp\u003eThis is a hard-fired, shallow, dish-shaped Sue ware vessel. About 10cm wide, it has a low, gently flattened profile and a rim that projects slightly outward. Smaller than the typical Sue ware cup, its dimensions make it well suited for placement on a desk or shelf.\u003c\/p\u003e\n\u003cp\u003eSue ware is a hard-fired, unglazed ceramic made in Japan using techniques brought from the Korean peninsula during the Kofun period. Compared with Haji ware, it is firmer and characterized by a compact, grayish surface—qualities that this piece clearly displays in its dense, well-fired finish.\u003c\/p\u003e\n\u003cp\u003eThe vessel’s surface is predominantly ash-gray, containing fine grains of sand and black speckles. The exterior shows darkening from firing, and the rim bears wear and small chips. Its shallow, spreading profile is light in character, and although an ancient object, it integrates naturally into contemporary settings.\u003c\/p\u003e\n\u003cp\u003eThis versatile vessel can be filled with water to float small blossoms, fitted with short stems, or enjoyed as an object that reveals its earthy character. As shown in the photograph, the dry surface of Sue ware harmonizes beautifully with the soft texture of a few wildflowers.\u003c\/p\u003e\n\u003cp\u003eThe rim shows small chipping, and the vessel’s surface bears wear and rough patches in the clay. It was hard-fired and appears capable of holding water; however, owing to its age, please exercise caution with prolonged use.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492430213401,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814565.jpg?v=1780899750"},{"product_id":"antique-japanese-ceramics-302","title":"SMALL COVERED BOX, Ko-Seto, Kamakura Period (1185–1333 CE)","description":"\u003cp\u003eA small covered box (Ko-Seto) from the Kamakura period.\u003c\/p\u003e\n\u003cp\u003eThis small Ko-Seto covered box fits in the palm of the hand. Its low, gently swelling body is matched with a flattened lid, giving the whole piece a quiet roundness. Measuring only about 6.5cm across, it nonetheless concentrates the characteristic textures and tones of Ko-Seto clay and glaze.\u003c\/p\u003e\n\u003cp\u003eThe exterior of the body is decorated with patterns suggestive of comb impressions or a cloth-like texture, while the lid is incised with a cross motif formed by comb marks. Though regular in rhythm, the decoration is blurred in places by undulations in the clay and by wear, producing the patinated aspect characteristic of long-aged ceramics. It is uncommon for so much ornament to remain on both the sides and the lid of such a small vessel; as a small Ko-Seto piece it is particularly noteworthy.\u003c\/p\u003e\n\u003cp\u003eThe pale gray surface bears remnants of glaze, areas of rough clay, and dulled patches from the passage of time. Here and there pale yellow-green pools of glaze lend a restrained sheen characteristic of antique Seto ceramics. The lid’s surface still shows finger impressions and traces of turning from forming, conveying the immediate presence of the hand at work.\u003c\/p\u003e\n\u003cp\u003eThis small covered box served to hold incense, medicines, and other small items. Though originally a utilitarian vessel, it may now be appreciated as a modest antique quietly placed on a shelf, in a study, or within a tea setting. With the lid on and with the lid removed, it offers two distinct expressions of the clay.\u003c\/p\u003e\n\u003cp\u003eThere is a repair to the rim; the lid and body show wear, areas of glaze loss, and roughened clay. Please note that these characteristics reflect its age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492430803225,"sku":null,"price":45000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814583.jpg?v=1780899796"},{"product_id":"antique-japanese-ceramics-303","title":"INCENSE BURNER, Ko-Seto, with three legs, With wooden box, Kamakura Period (1185–1333 CE)","description":"\u003cp\u003eA three-legged Ko-Seto incense burner of the Kamakura period.\u003c\/p\u003e\n\u003cp\u003eA small Ko-Seto three-legged incense burner that fits in the palm of the hand. Its low, nearly cylindrical body stands on three small feet and is fitted with a shallow, gently rounded lid. Though a diminutive work—measuring less than 6cm in diameter—it displays the characteristic glaze of Ko-Seto and a compact, well-proportioned form suited to its role as an incense burner.\u003c\/p\u003e\n\u003cp\u003eThe body is thickly coated with ash glaze, with yellow-green pools of glaze flowing across the entire surface. Where the glaze remains, a deep gloss provides a strong contrast to the white, dry clay body. Flaking of the glaze, crazing, and surface erosion of the clay converge, concentrating the time-worn expression characteristic of Kamakura-period ceramics within this small vessel.\u003c\/p\u003e\n\u003cp\u003eComb-like incisions appear on the lid and the base. Especially on the base, multiple layers of arcing combing remain, directly recording the hand movements of the maker during shaping. The small three-legged form is pleasingly charming; while serving as a practical incense burner, it is equally notable as a small example of antique pottery.\u003c\/p\u003e\n\u003cp\u003eThis piece functions as a small vessel for incense and may also be appreciated as an antique Ko-Seto to accompany a shelf display, the scholar’s study, or a tea-room arrangement. A wooden box is included.\u003c\/p\u003e\n\u003cp\u003eThere are repairs, and the lid and body show glaze loss, crazing, wear, and areas of roughened clay. Please understand this as characteristic of an old object.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52492430967065,"sku":null,"price":18000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060814605.jpg?v=1780899842"},{"product_id":"antique-other-glass-products-51","title":"OLD GLASS KETTLE, Showa Era (1926–1989 CE)","description":"\u003cp\u003eA Showa-era handled glass kettle.\u003c\/p\u003e\n\u003cp\u003eA clear glass kettle with a rounded, swollen body, a thin, elongated spout, and a handle. Although the overall form is light, the body's fullness, the spout's curve, and the small knot-like motif at the top of the handle preserve a subtle handcrafted softness.\u003c\/p\u003e\n\u003cp\u003eGlassware from the Shōwa period combines the approachable utility of everyday objects with subtle irregularities absent from contemporary mass-produced items. This piece, though made of highly transparent glass, reveals variations in thickness and slight waviness at the joins when examined closely, and its contours gently shift each time the glass catches the light.\u003c\/p\u003e\n\u003cp\u003eThe spout is long and slender, its tip curving gently upward. The handle sweeps in a broad arc and is capped at the upper end with a small ornament, producing a composed, well-proportioned form. The lid is also glass, carefully fashioned—even the knob and overlapping rim are neatly finished—and the whole conveys a cool, refreshing impression.\u003c\/p\u003e\n\u003cp\u003eOriginally made as a hot-water kettle, it is now enjoyed as a water pitcher, a vessel for chilled tea, or a glass vessel for a single floral stem. Because it allows the background to show through and directly reflects the presence of light and water, it harmonizes with tea settings and summer room arrangements.\u003c\/p\u003e\n\u003cp\u003eAs this is an old glass piece, the surface shows fine abrasions, air bubbles, and slight distortions from the time of manufacture. There are no significant chips or cracks. Please accept these characteristics as inherent to an older item.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52496658268441,"sku":null,"price":25000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060914630.jpg?v=1780991969"},{"product_id":"antique-other-glass-products-52","title":"OLD ENAMEL-PAINTED OCTAGONAL DRINKING GLASS, Italian Antique, Early Modern Period (16th–19th centuries)","description":"\u003cp\u003eAn Italian enamel-painted antique glass cup, 18th–19th century.\u003c\/p\u003e\n\u003cp\u003eA small octagonal glass cup with chamfered facets, its body scattered with floral motifs in red, green, white, and yellow enamel. Though a diminutive piece measuring less than 5cm in height, dots of color appear to float within the clear glass, giving it a charming expression when viewed in the palm of the hand.\u003c\/p\u003e\n\u003cp\u003eThe body is marked by vertical ridges so that, when caught by light, each facet reflects differently. A band of red glass encircles the base, subtly tightening the overall effect. The decoration is not finely worked but rustic, as if small grains of colored glass had been applied; it combines the bright brilliance characteristic of Italian antique glass with the gentle irregularities of handwork.\u003c\/p\u003e\n\u003cp\u003eThis piece can be enjoyed as a sake cup, a small cup for chilled tea, or as a glass vessel to hold a single small flower. Set among antique pottery and wooden implements, the colored glass’s subtle radiance is beautifully highlighted.\u003c\/p\u003e\n\u003cp\u003eDue to its age, the glass surface shows fine abrasions, air bubbles, slight irregularities from manufacture, and wear to the enamel decoration. There are no significant chips or cracks. Please note these characteristics are consistent with an antique item.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52496658497817,"sku":null,"price":12000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060914662.jpg?v=1780992004"},{"product_id":"antique-other-wood-products-263","title":"WOODEN TEA TRAY, Carved with tsubo-no-ishibumi monument design, Meiji Period (1868–1912 CE)","description":"\u003cp\u003eMeiji-period wooden sencha tray carved with an urn-and-stele motif.\u003c\/p\u003e\n\u003cp\u003eThis sencha tray is a thin, low rectangular piece carved with a jar-and-stele motif and lines of Chinese poetry. With softly rounded corners and a shallowly raised rim, it has a neat, restrained profile; though compact, it possesses the refined charm of a scholar’s study.\u003c\/p\u003e\n\u003cp\u003eAt the center of the tray surface is a jar-shaped stele motif evoking an ancient monument, its interior and surround incised with delicate characters. On either side, linear incisions suggesting grasses, flowers, and waterside scenes create a tranquil landscape within the surrounding negative space. The piece combines poetic inscriptions, ancient-stele motifs, and landscape designs in a manner characteristic of Meiji-period sencha aesthetics.\u003c\/p\u003e\n\u003cp\u003eThe tsubo monument referred to here appears to denote the stele in Mutsu Province known as an ancient monument. Long famed as a poetic place-name and later widely recognized after the visit of Matsuo Bashō, it became for many literati a locus onto which they projected a yearning for travel and a longing for the ancient past. Long famed as a poetic place-name and later widely recognized after the visit of Matsuo Bashō, it became for many literati a locus onto which they projected a yearning for travel and a longing for the ancient past. The single character meaning \"west\" carved on this piece and the inscription-like arrangement likewise appear to reproduce that stele. Practitioners of sencha tea, while drinking, would turn their thoughts to poetry and ancient sites; on this tray too, such literary longing is quietly reflected.\u003c\/p\u003e\n\u003cp\u003eThe wood has a deep brown hue and a well-used sheen. The surface bears numerous fine scuffs and scratches, and the carving is worn in places; such abrasion, however, attests to the long period of use. The underside is hollowed out, a construction that restrains warping while keeping the piece light.\u003c\/p\u003e\n\u003cp\u003eAs well as serving as a sencha tray for a teapot and small cups, it can also be enjoyed as a tray for incense implements and small objects or as an accessory for the study. It is just the right size to accommodate a single teapot.\u003c\/p\u003e\n\u003cp\u003eThe surface exhibits rubbing, scratches, and wear to the carving; the edges and reverse show small chips and areas of roughness. Please note these conditions are consistent with the piece’s age.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52496658858265,"sku":null,"price":19000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026060914680.jpg?v=1780992053"},{"product_id":"antique-korean-furniture-33","title":"BANDAJI CHEST, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eAn antique Joseon-period half-closed chest (bandaji).\u003c\/p\u003e\n\u003cp\u003eA storage chest from the Joseon Dynasty whose upper front panel opens forward. Used to store garments, textiles, and everyday objects, its plain, boxlike form is contrasted by the bold, forceful presence of the iron fittings arranged on the front.\u003c\/p\u003e\n\u003cp\u003eThis is a considerably aged bandaji chest, its wood taking on a deep brown patina that harmonizes with the darkened iron fittings. The front is fitted in several places with openwork fittings bearing the manji motif, which, together with the pulls, lock fittings, and hinges, display the unadorned beauty characteristic of Joseon furniture. The ornamentation is not lavish, but the repeating manji motif and the texture of the iron impart a quiet strength.\u003c\/p\u003e\n\u003cp\u003eThrough prolonged use the corners have become rounded, and the wood surface shows abrasions, scratches, and variations in luster. The iron fittings exhibit rust and corrosion and are partially weakened, but overall the piece remains structurally sound. While retaining practical utility as an antique piece of furniture, the timeworn character of the wood and iron is clearly evident.\u003c\/p\u003e\n\u003cp\u003eThe back is a plain, undecorated plank surface that, in contrast to the expressive metal fittings on the front, conveys the quiet presence of an old wooden chest. When white porcelain, pale celadon, stone, or antique ceramics are placed upon it, the dark wood grain and iron fittings set off the whiteness and tactile qualities of the vessels.\u003c\/p\u003e\n\u003cp\u003eWith a manageable width of approximately 70 cm, it functions not only as a floor-standing storage chest but may also be used as a low display stand or a platform for vases and ceramics. Not overly large, it nonetheless possesses the presence characteristic of Joseon furniture.\u003c\/p\u003e\n\u003cp\u003eOwing to its age, the wooden elements display scuffs, scratches, and chips, and the metal fittings are rusted and partially deteriorated. The front doors open and close smoothly. Please note this as an antique piece of furniture.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52508721512729,"sku":null,"price":250000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026061315064.jpg?v=1781332713"},{"product_id":"antique-korean-ceramics-112","title":"FLATTENED JAR, White porcelain, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eA Joseon white porcelain flattened jar.\u003c\/p\u003e\n\u003cp\u003eA white porcelain flattened jar with a broad, shallow circular body, a short neck and mouth, and a rectangular raised foot. Seen from the front, it has a fullness like a full moon; in profile it reveals a thin, flattened silhouette. The pairing of the widely swelling body, the small mouth that rises cleanly, and the foot supporting the base is elegant, and among Joseon white porcelain this piece is notable for its strong sculptural presence.\u003c\/p\u003e\n\u003cp\u003eThe piece dates to the late Joseon period, likely from the late 18th–19th century. The glaze is a soft white with a bluish cast; in light it combines a faint, cool bluish-white porcelain quality with the gentle warmth characteristic of whiteware. The body shows slight iron deposits and age-related toning, so it is not a perfectly uniform white but has the quiet expression typical of antique white porcelain. Across the broad surfaces there are fine abrasions and subtle variations in sheen from use, conveying the composed, time-worn surface of a vessel that has matured over a long period.\u003c\/p\u003e\n\u003cp\u003eThis piece has a firmly built footring and a tautly modeled body. Unlike mass-produced utilitarian wares, it appears to be Bunwon white porcelain, or a flattened jar used in and around the court. Entirely free of decoration, it relies solely on form and glaze, displaying the composed restraint characteristic of Joseon white porcelain.\u003c\/p\u003e\n\u003cp\u003eThe flattened jar, while a utilitarian vessel, commands a strong presence in its very silhouette when set on view. In this example, the circular spread seen from the front, the thinness of the walls in profile, and the subtle tension between rim and foot are finely balanced. It is effective displayed on its own, and when paired with Joseon furniture, weathered wood, stone, or antique ceramics, the contours of the white porcelain are brought into sharper relief.\u003c\/p\u003e\n\u003cp\u003eThere are signs of age on the rim, around the footring, and on the body, including wear, fine scratches, slight discoloration, and irregularities in the glaze. The body shows a faint hairline crack or fine linear scratches following the glaze surface. The footring bears soil deposits and traces of use. There are no major chips. Please note that this piece is old.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52508723675417,"sku":null,"price":600000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026061114765.jpg?v=1781171995"},{"product_id":"antique-korean-ceramics-113","title":"CHOKO, White porcelain, Joseon Dynasty (1392–1897 CE)","description":"\u003cp\u003eWhite porcelain choko from the Joseon Dynasty.\u003c\/p\u003e\n\u003cp\u003eA small white porcelain cup with a slightly flared mouth, its compact dimensions convenient enough to fit in the palm of the hand. The body rises directly from the lower section and widens slightly toward the rim. Rather than a perfectly formal cup, the rim bears a gentle undulation, and the feel in the hand exhibits the soft quality characteristic of Joseon white porcelain.\u003c\/p\u003e\n\u003cp\u003eThe glaze is a white porcelain with a grayish-white cast, showing fine iron specks and faint clouding in places. Although the vessel is uniformly white, its tones quietly shift—bluish, ashen, and milky—depending on the light, giving it the calm, subdued character unique to aged white porcelain.\u003c\/p\u003e\n\u003cp\u003eThere is an air of age in the exposed clay around the foot and in the shaping of the lower body, reminiscent of mid‑Joseon white porcelain faceted bottles. It is believed to be a white porcelain piece dating from the mid‑ to late‑Joseon period. Although a small choko (sake cup), its clay, glaze, and forming are all robust, offering points of interest distinct from mass‑produced white porcelain.\u003c\/p\u003e\n\u003cp\u003eIt can, of course, be used as a sake vessel; it also suits sencha or small teacups, and may be enjoyed as a small serving dish or bowl. Set on Joseon woodenware or an antique tray, the serene quality of Joseon white porcelain is beautifully emphasized.\u003c\/p\u003e\n\u003cp\u003eOwing to its age, the surface shows fine abrasions, encrustation, and glaze crazing. There are no major chips or cracks. Please note these characteristics are consistent with an antique.\u003c\/p\u003e","brand":"ROCANIIRU COLLECTION","offers":[{"title":"Default Title","offer_id":52508725477657,"sku":null,"price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/9911\/1193\/files\/2026061114803.jpg?v=1781172072"}],"url":"https:\/\/rcnir.com\/en\/collections\/arrivals-antiques.oembed?page=2","provider":"入蘆花（ロカニイル）","version":"1.0","type":"link"}