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TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）
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TWO-HANDLED JAR, Sawankhalok Ware, Middle Ages（12th–16th centuries）

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Pottery produced at the ancient kilns of Sawankhalok in Thailand from the 14th century onwards was imported to Japan during the Momoyama period through the early Edo period, where it was referred to as Song Hu Lu or Sun Ko Roku. It is said that tea masters of the time cherished these pieces as tea utensils. Sun Ko Roku includes a significant number of works that emulate the celadon and blue-and-white porcelain from the Longquan kilns of the Song and Yuan dynasties in China, primarily featuring a stoneware body with a grayish-blue glaze, iron underglaze decoration, and white slip. This particular piece is a small jar with elegantly curved double handles, ideal for use as a flower vase.

w11 x d11 x h9 cm

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