SMALL MISSHAPEN JAR, Bizen, Azuchi-Momoyama–Edo Period（1573–1867CE）

This piece is a small jar crafted in Bizen during the Azuchi-Momoyama to Edo period (1573–1867 CE). The clay used in Bizen ware is primarily categorized into two types: "tando" (field clay) and "sando" (mountain clay). This particular work utilizes mountain clay, which, compared to field clay, has a coarser texture and a higher iron content. As a result, it produces a rich spectrum of colors ranging from reddish-brown to deep purplish-black when fired, embodying a rustic charm.

Moreover, this jar showcases the interplay of fire and ash, creating a unique landscape on its surface. A subtle "goma" (sesame) pattern emerges where ash has melded into the clay, while the overall form exhibits a natural undulation. The body tapers from the shoulders to the base, and although the rim rises slightly, it has been subtly distorted due to the kiln's heat and the contact with other vessels. This imperfection exudes a sense of life, reflecting the allure of Bizen pottery that embraces the principles of nature, making it a true embodiment of organic form.

Bizen ware, known for its durability as a functional object, is deeply rooted in daily life. At the same time, the serendipitous effects of firing, including the unique textures and distortions, have been appreciated for their aesthetic value. In particular, this piece, made from mountain clay, reveals the rawness and strength of the earth itself, offering a tactile sensation that is pleasantly coarse to the touch. Its rustic presence is further enhanced when used to display wildflowers, beautifully complementing their natural beauty.