INCENSE CONTAINER, Ko-Hagi, ash-glazed, with scrollwork design, hidden christian, marked with a cross, Edo Period（1603–1867CE）

This piece is an antique incense container, known as a Kōgō, crafted in the Hagi kiln during the Edo Period. Measuring approximately five centimeters in diameter and three centimeters in height, this modestly sized container features a striking relief design of swirling patterns on both the lid and body, enveloped in a soft, ash-glazed surface characteristic of Hagi ware. At the center of the lid is a cross motif, subtly engraved. The gentle patina developed over years of use imbues the piece with a sense of history, quietly reflecting its long-standing role as a functional object.

Hagi ware flourished alongside the rise of the tea ceremony, emerging from the late Momoyama to the early Edo period, influenced by the techniques of Korean potters. It is known for its slight imperfections, such as subtle warps, glaze accumulations, and the unique crackle patterns and pink hues (known as "Gohon") that create an accidental beauty. In this incense container, the soft, translucent Hagi glaze caresses the surface of the vessel, imparting delicate variations in the shadows of the swirling design. The fine crackle lines that traverse its surface evolve gently over time, reflecting the distinctive character of Hagi ware.

The region of Hagi thrived as a castle town under the rule of the Mōri clan, while records indicate the presence of hidden Christians throughout the domain. Particularly along the coast of Nagato Province, where Nanban ships once docked, the Christian faith was discreetly transmitted. Historical documents reveal that during the period of clan governance, there were strict measures against the prohibition of Christianity. During this time, the hidden believers concealed symbols of their faith within everyday objects and crafts, creating "hidden motifs" as a means of preserving their beliefs. The cross motif concealed within this incense container can be understood as one such testament to faith.

As I hold this small incense container, I can envision a quiet moment in a dimly lit tea room, where faith was silently affirmed without words. Within its serene presence lies a narrative of the land's memory and the stories of belief.